Marginalidade e melodrama no cinema brasileiro
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2015-09-02
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Universidade Federal de Goiás
Resumo
Melodrama here is taken beyond a definition as theatrical or cinematic genre. From the
concept of melodramatic imagination, by Peter Brooks, this study follows the main
changes that led Europe from the Middle Ages to the capitalist world in order to present
the foundations of a distinctive modern imagination whose mode of seeing the world is
visual and fictionally translated in melodrama. Because of its far-reaching and massive
presence in cultural production it is important to evaluate how melodrama represents
reality; which treatment and valuation are given to certain topics and phenomena that
daily takes our attention and interfere in our social and political existence. Under this
perspective we develop a study on the representation of marginality from the aesthetic
resources of the melodramatic imagination, which is based on the analysis of the films
Pixote - a lei do mais fraco (1980) and Linha de Passe (2008).
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FREITAS, R. F. Marginalidade e melodrama no cinema brasileiro. 2015. 136 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2015.