A linguagem do absurdo (o sopro de Clarice Lispector)

Abstract

Clarice Lispector's aesthetics is analysed mainly from her short story • Amor•, where "the language of absurd" is focused as lhe author's creative axis, which has the non-word as a fictional urge. The alieoated buma.o existeoce wbicb searebes for an urgent self-liberation is discussed, am id the chaos produced by the tecboical-scientific hypertrophy of modernity. The sign of "the being"s absurd" heads. via a literary fruition, for a possible reconstruction of "the being-truth" by means of an expressed negation of fetish and by means of the crystallized conventional language of everyday life.