Filmes sobre a ditadura como arquivos especiais do trauma Batismo de sangue como filme-arquivo
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Data
2009
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Resumo
Films in the dictatorial period may be interpreted as having a special
archive structure, connected to the massive image production about
memories and discourses referring to the dictatorship; they are artistic
pieces related to the imagination about the nation. The choices made,
what and how to film, turn the screenplay, the direction, and the
production of the films into special types of “archivists”. I propose
treating the films that deal with the dictatorial past as archive-films,
materials that organize and have items from the past, and due to this
are dedicated to the present and thus may “enhance the arrival of the
future”. The questioning that this notion of archive brings is political.
For that, I highlight the questioning that is possible assessing the
Brazilian film named Batismo de sangue (Helvécio Hatton, 2007).
Descrição
Palavras-chave
Cinema, Ditadura, Filmes-arquivo, Movies, Dictatorship, Archive-films
Citação
SOUZA, Maria Luiza Rodrigues. Filmes sobre a ditadura como arquivos especiais do trauma: Batismo de sangue como filme-arquivo. Ponto-e-vírgula, São Paulo, v. 6, p. 78-92, 2009.