Fotografia contemporânea no corpo da cidade

Abstract

This paper presents reflections on the use of photography in artistic projects of urban intervention, from the example of the works “Imagens Posteriores” (2000-2013) of Patricia Gouvêa, “Polaroides (in)visíveis” (2005-2010) of Tom Lisboa e “Giganto” (2008-2014) of Raquel Brust. It is intended, then discuss the relationship between photography and city photography and reception / production, photography and time and thus reflect on the city as a space of intervention, appropriation and reinvention