Sobre corpos isolados na imagem: a mise en scène em Sangue negro, de Paul Thomas Anderson
Carregando...
Data
2020-12
Título da Revista
ISSN da Revista
Título de Volume
Editor
Resumo
The article aims to investigate elements of mise en scène
present in There will be blood (2007), directed by Paul Thomas
Anderson, associating them with the functions of film style
described by Bordwell (2008). From a qualitative approach and using film analysis as a method, the research was based on three
moments of the movie, chosen from our interest in studying
how Anderson leads the positioning and movement of actors
within the frame. As a result, we observe that the filmmaker,
based on a constant interest in the minimum aspects of the twodimensional
image, bets on a recurring game of watching and
unveiling in which not only bodies and faces are concealed and
assumed but also important subjective representations that act
towards a better understanding of the narrative.
Descrição
Palavras-chave
Cinema, Mise en scène, Sangue negro, Estilo, Paul Thomas Anderson, Cinema, Mise en scène, There Will Be Blood, Film Style, Paul Thomas Anderson
Citação
RABELO,Thiago da Silva; BORGES, Rosana Maria Ribeiro. Sobre corpos isolados na imagem: a mise en scène em Sangue negro, de Paul Thomas Anderson. Intexto, Porto Alegre, n. 50, p. 178-198, set./dez. 2020.