Um modo anacrônico de olhar as imagens das obras de intervenção urbana “Imagens posteriores”, “Giganto” e “Polaroides (in)visíveis”

Abstract

This communication intends to investigate the works of urban intervention "Imagens Posteriores" (2012-2013) by Patricia Gouvêa, "Giganto" (2009-2013) by Raquel Brust and "Polaroides (in)visíveis" (2005-2011) by Tom Lisbon from the anachronistic proposal of art historian Didi-Huberman, observing the production process of these works, founding on the walk, making the nomenclature "anachronias-process" emerge.