Crítica e sociabilidade: a rubrica teatral do L’Écho de l’Amérique du Sud (1827-1828)
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Data
2019
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Resumo
Theatrical criticism, as basic rubric and genre
of the feuilleton, was practiced in Brazil by the
first French printers and editors of the periodic
press who settled here. Pierre Plancher, a
key player in the process of transferring
cultural practices of print media from France
to Brazil launched in Rio de Janeiro the French
journal L'Indépendant (1824-1827), which Émile
Sévène continued under the new name of
L'Écho de l'Amérique du Sud (1827-1828).
In both, the show criticism had guaranteed
space. Thus, this article has as its object of
study the theatrical criticism of the Écho de
l'Amérique du Sud, considering the context of
incorporation of the collectivity and cultural
diversity of modern urban life, inserted in
the process of modernization of the periodic
press, which took place throughout the 19th
century. The description and examination
of theatrical criticism, its methods and
procedures of appreciation, approaches
and writing strategies make up the focus of
the study, as well as the investigation of the
evidence of sociability present in the theatrical
rubric. Animated by and incorporated by the
media culture, sociability exploits the potential
of this print media culture in the process of full
development and modernization in a crossnational context.
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Écho de l’Amérique du Sud, Imprensa em língua francesa, Século XIX, Crítica teatral, Sociabilidade, French-language press, 19th century, Theatre criticism, Sociability
Citação
GIMENEZ, Priscila Renata. Crítica e sociabilidade: a rubrica teatral do L’Écho de l’Amérique du Sud (1827-1828). História, São Paulo, v. 38, e2019031, 2019. DOI: 10.1590/1980-4369e2019031. Disponível em: https://www.scielo.br/j/his/a/Nw JL8y3wkp45Fqm6Gc38dDt/?lang=pt. Acesso em: 30 mar. 2023.