Corpo, voz, palavra e poder: a negação do negro no Teatro brasileiro
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Data
2022-03-25
Autores
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Editor
Universidade Federal de Goiás
Resumo
This article presenting results of applying
the description of the discourse proposed
by Michel Foucault to the analysis of a work
on the History of Brazilian Theater, with
attention to the treatment offered to
blackness. The statements presented by the
author exalt a freed black man, as the first
Brazilian actor recognized as such, in the
same way that they consider that blacks
disappear from the stage after the 19th
century. Starting from the same arguments,
but thinking Theater beyond dramaturgy,
we were able to prove the opposite,
especially considering the body as a central
element of theatrical making, instead of the
written word.
Descrição
Palavras-chave
Trabalho de ator, Arqueologia do saber, História do Teatro, Desempenho teatral no Brasil, Actor's work, Archeology of knowledge, Theater History, Theatrical performance in Brazil
Citação
SOUZA, Newton de. Corpo, voz, palavra e poder: A negação do negro no Teatro brasileiro. Arte da Cena, Goiânia, v. 7, n. 2, p. 221–248, 2022. Disponível em: https://www.revistas.ufg.br/artce/article/view/70461.