Doutorado em Antropologia Social (FCS)
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Navegando Doutorado em Antropologia Social (FCS) por Por Orientador "Hirano, Luis Felipe Kojima"
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Item Uma etnografia sobre memórias e fotografias no terecô: entre possibilidades, interditos e afetos(Universidade Federal de Goiás, 2022-08-09) Freire, Fladney Francisco da Silva; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Barros, Antonio Evaldo Almeida; Ratts, Alecsandro José Prudêncio; Souza, Maria Luiza Rodrigues; Ferreira, Glauco BatistaAlthough they seem like an individual phenomenon, photographs should also be understood as a collective construction. In this study, besides being important in the plot of memory in the context of Terecô of Bacabal (MA), are pieces that set up a timeline of the Spiritist Tent of Umbanda de São Raimundo Nonato, the terreiro of my family. The thesis seeks to provoke a reflection on the limits and potentialities of the image for religion, portraying how it is used in the temple to narrate the trajectory of the terreiro itself and its members. Throughout the study, we approached the context of Terecô in the municipality of Bacabal(MA ) and the genesis of the terreiro, also trying to understand the conception that religious leaders and scholars have about the importance of image in the production of knowledge, without leaving aside the approach to care for the dissemination of these photographs, since religion is historically the target of prejudices. In the terreiro, it is believed that the care with the way these records reach the spaces outside the walls is able to collaborate with the breaking of stereotypes. Part of this care occurs with the contextualization of the record of rituals that will be exposed – considering that images about Afro-Brazilian religions undergo negative historical construction – and preservation of those that are part of the secret/mystery of Terecô, interdicts that are beyond human decision. It is concluded that the dissemination of images is able to help in the construction of a new look at terecô. In the academic field, the research seeks to guide researchers who use the resource of photography on the best way to act in terreiros that have rules on the dissemination of these images. In addition, another perspective begins here, this time from Bacabal, on terecô, until then portrayed predominantly from the axis of Codó (MA) since most of the published texts deal with terreiros located in this city. In the end, it is understood that photography is capable not only of helping the anthropologist to retrieve information observed in the field and serve as an illustrative element to the reader, but also to provide information that supports the construction of knowledge.Item Vidas operárias: trajetórias migrantes no Brasil-Central na virada para o século XXI(Universidade Federal de Goiás, 2021-10-13) Malta, Atilio Lúcio; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Wichers, Camila Azevedo de Moraes; Godoi, Emilia Pietrafesa de; Collaço, Janine Helfst Leicht; Nunes, Jordão HortaThis ethnography, built at the interfaces between anthropology, sociology and oral history, aims to oversight an urban and contemporary factory workers group from Aparecida de Goiânia, municipality of Metropolitan Area of Goiânia, in Brazil´s Central Region. This work has as analysis unit the trajectory of people from this workers group, under the point of view of determined difference social markers. The intention of this work is to follow these trajectories in its flow, arrangements, circulation, relations and network on the everyday saga of each person, trying to abandon poverty, social undifferentiation and social inequity in every range. My interlocutors do not reside in a single neighborhood, although, in fact, there is a district “only” for them. They do not even work on a single factory, although their itineraries are marked for one. They do not even belong to a same gender or generation, but they share a social and symbolic universe: the one from contemporary popular factory worker classes. This universe is the aim I try to get on the relations between past and memory when they narrate their own conception of autobiography. Given the relation between researcher and his field, the effort consists in “wonder the familiar” that, in many words, is given by diving in literature concerning this subject and by the contrast between memories and “shared trajectories”.