Doutorado em Antropologia Social (FCS)

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Nhandereko: nosso direito
(Universidade Federal de Goiás, 2022-12-16) Guarany, Vilmar Martins Moura; Pechincha, Mônica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Mônica Thereza Soares; Amado, Luiz Henrique Eloy; Ladeira, Maria Inês; Mainardi, Camila; Silva, Joana Aparecida Fernandes da
This thesis seeks to carry out an autoethnography in which the author is an observer, member and participant of the Guarani indigenous people and proposes to analyze the migration of his group that leaving Paraguay at the beginning of the 20th century, when making an unprecedented journey to the Central-North region of Brazil. In this sense, the analysis focuses on the Mbya presence in Goiânia, Cocalinho in Mato Grosso, Xerente Indigenous Land, Xambioá Indigenous Land, both in the State of Tocantins and in the Jacundá Indigenous Land in Pará. Taking historical and mobility as a starting point, it focuses on self-determination and its relationship with the Guarani indigenous law that presents itself with the Mbya name “nhandereko”. It verifies self-determination in the past as well as in the present, going through a long period of invisibility of this right or even its denial, for recognition in the Brazilian legal system and in international spheres, to the point of being able to say that there is currently a reconquest of Guarani self-determination in the national and international scenario. Finally, it seeks to present the elements and principles to confirm the existence of a Guarani indigenous right.
Movências, encantarias e retomadas: uma natnografia sobre o corte e a cura dos Kariú Kariri no Maranhão
(Universidade Federal de Goiás, 2023-10-30) Alves, Lidiane da Conceição; Pechincha, Monica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Monica Thereza Soares; Nascimento, Rita Gomes do; Anaquiri, Mirna Kambeba Omágua-Yetê; Almeida, Emerson Rubens Mesquita; Mainardi, Camila
Aedzé eerãkuara kietse utsohó ay bó dõ métsohó, samy ko tsebuhö bó ayby adjé kuá ay doibáhén tsohoá, ay ery, ma odeihó ninho, tedzy, de, maridzá, tsebuhö,bukémé kó teudiokié ayby ewóá ninho ma dziwichi, kó dõ tedzy, mariarcas hikié ay ery tsohó, ninho Kariú Kariri ayby Maranhão. Ay tsebuhö piwonhé, bó ayby keité ayby natnografia ko wówóá, ay doibáhén, netçoá ko Samy tsohoá ayby tsohó Kariú Kariri, ayby tedzy dõ ery yetçãmidé. Ay swbatekié waruá eridzá tsebuhö fü utsohó bó ayby wówóá ko idzéchi utsohó bí hi, ecudú ay ery mariarcas, ko ay doibáhén kanatsikie obohó tedzy, hiquiá, munankie ko yghé dõ ery tsohó anrá Maranhão, ayby urio ayby tsowana ko tsowanatsi ko ayby pitá dõ yetçamyá anrá wówó anrá Vale do Cariri no Ceará. Tobumi ay dó ká dõ natnografia obohó wówó mó ubyá ay kiçetsoklo utsohó bó kiçetso dó ay anranbuku utsohó ma dezudé dibuihoho-nanhèybá, ko ay bocu bó wodzodzó tokenhé, utsohó bó dziwichi utsohó bó ery tsohó. Anrá neietá dõ ubyá dó, bowró dó ay crody anranbuku peretó ko gytéwó peretó buanga hô dezudé dibuihoho-nanhèybá, dezudé tsohó Kariú Kariri,ydadé wócudú keité dõ celé ma dezudé dibuihoho-nanhèybá, ay dezudé uano ko netçó mó dzi laboi ko gytéwó ay utsohó kanatsikie dezudé lanlan woroy ma odeihó tsohó ninho sancry ayby radda.
Pós-negritar trajetórias acadêmicas nas encruzilhadas dos saberes: um estudo antropológico das ações afirmativas para pessoas negras na pós-graduação stricto sensu da UFG
(Universidade Federal de Goiás, 2023-04-20) Ferreira, Débora Sirno Santos; Dias, Luciana de Oliveira; http://lattes.cnpq.br/9317426815646934; Dias, Luciana de Oliveira; Vieira, Suzane de Alencar; Dias, Luciene de Oliveira; Silva, Vera Regina Rodrigues da; Lima, Marlini Dorneles de
This doctoral thesis starts from the following problematization: knowing that most of the Brazilian population is composed of the black population, what factors influence so that only a minority of them are in universities in master's and doctoral courses? The main objective of this ethnography is to investigate, in stricto sensu graduate courses, at the Master's and Doctorate level at UFG, how quota students perceive the quota policy implemented by the university in their experiences. The ethnography carried out with the interlocutors of the UFG stricto sensu postgraduate course showed that all students faced many challenges throughout their academic career, to the point ofmaking many of them drop out, in elementary school, then in high school, with few reaching university. In the academic territory of UFG, it was no different, as well as in their daily lives, they were violated with racist jokes, sexist, homophobic situations, with patriarchy operating over their bodies, the university charging for productions, and, still, the pandemic and social isolation. However, in the face of all these traps strategically prepared by racism, students recognize the importance of being in this place, knowing that many do not manage to reach this stage of study and recognize the rise that this place gives them, both psychologically and socially. and financially. For all this, they share joy when they are recognized for their academic production, and especially when the mother of one of the students, who is their main reference, shares, with joy, the surprise of the boss when she discovers that her maid's son is doctor. We resorted to the anthropology of emotions to explain the context in which these experiences were shared with the researcher and how they crossed her. To better understand ethnic-racial relations in Brazil, it is essential to recognize the relevance and effectiveness of racism and ethnic-racial discrimination, of which groups, black and indigenous people are the target (DIAS, 2012) and which segregate and exclude them from places , spaces and positions. Affirmative actions are intended to combat the accumulated effects of discrimination practiced against black people, which results in economic, educational, political and sociocultural inequalities.
Estar dentro do rolê: gênero e sexualidades entre jovens estudantes e universitários na cidade de Goiás (GO)
(Universidade Federal de Goiás, 2022-04-05) Prado, Paulo Brito do; Braz, Camilo Albuquerque de; http://lattes.cnpq.br/4883038594618199; Braz, Camilo Albuquerque de; Coelho, Maria Cláudia; Britto, Clóvis Carvalho; Dias, Luciana de Oliveira; Henning, Carlos Eduardo
The present thesis is an incursion made through the anthropological view of the social phenomenon of the rolês produced by young students and university students in specific places in the Historic Center of the city of Goiás between the years 2017 and 2019. In addition to seeing this contemporary phenomenon through the lens of gender, sexuality and youth studies, the research envisaged a methodological and ethnographic proposal interested in crossing the fields of history and anthropology. In the ethnographic work I chose, in addition to the conventional procedures of field research (interviews, dialogue and recording in field diaries), the taking of the drawing (watercolors) and the production of images as a way of recording for the production of the narrative that compose this book. investigation. As a result of deep field research and archives, this work proposed a tour of contemporary Goiás, for its time marks and for the uses made by young students, university students and tourists of its monumentalized spaces by residents, public authorities and Unesco in 2001. Starting from bars or alleys, from Praça do Coreto and its neighboring places, or following the flow of so many people in nights to the sound of funk, university sertanejo, electronic, forró, arrocha and always accompanied by a drink (corote, vodka with ice, wine, beer, liqueurs or other mixtures) I witnessed, on the nights of rolês, different groups of young people mobilize other meanings and attribute other meanings to Goiás, even though they did not leave aside the fame that the city carries and that is related to its past and its history. Together with many people I participated in new entertainment and saw different ways of using the spaces of Goiás in the periods of time in which the rolês and parties took place. All this was evidently accompanied by the romantic setting of a city of small territorial dimensions, guardian of pasts and traditions, illuminated by lamps with a yellowish, poetic, evocative color and that referred to a long historical trajectory characterized by the times of the Colony, the Empire and the Republic. Thinking about the meanings that so many people attributed to the city, about what stimulated them to be in so many spaces of this city and interested in the ethnographic location of Goiás in time and space, I explored some research that preceded this one, covered questions that inspired this investigative proposal, I pointed out some conceptual and methodological problems, walked through its history, showed how the idea of Historic and Heritage City was manufactured and reached some of the many meanings produced by young people who go to rolês in a famous Goiás, center of attention of the local and national and popular media. for many parties. Of course, in this process I had to broaden my previous lens of analysis, at first focused on gender and sexuality, to issues of class and race. In the field and seeing how young people resorted to certain pasts of the city and/or used their history to justify their presence and behavior in the Bandstand, I had no choice but to place myself on the border between History and Anthropology. In this way, this thesis talks about in-between places and borders, mine and those of my interlocutors.
O que é que tem de realmente importante lá em Chapada dos Negros, além da cicatriz? Processos de enquadramento do patrimônio, estereotipagem e silenciamento de memórias em Arraias-TO
(Universidade Federal de Goiás, 2022-07-29) Nolasco, Genilson Rosa Severino; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Magnani, José Guilherme Cantor; Silva, Cleube Alves da; Cândido, Manuelina Maria Duarte; Hirano, Luis Felipe Kojima
This thesis is the result of research carried out in Arraias, a city located in the southeast region of Tocantins. Its base goal was to understand how the people of Arraias have appropriated the physical traits (FERRAZ, 1997) associated with the colonial past and the enslavement of black people, regarding special attention to the Chapada dos Negros’ ruins. I sought to understand not only the heritage assets, the Chapada dos Negros’ ruins, but mainly how things become or have become heritage in that locality, at the same time that I problematized the limits of heritage public policies. Therefore, the investigative approach was developed through two movements, as Pollack (1989) suggests. Firstly, a “from top to the bottom” movement involving an ethnography of the State’s heritage process and its agents. Second movement was the “from the bottom to the top” view, in which I’ve looked for the subjects’ ethnography, their point of view and enunciation places.
Uma etnografia sobre memórias e fotografias no terecô: entre possibilidades, interditos e afetos
(Universidade Federal de Goiás, 2022-08-09) Freire, Fladney Francisco da Silva; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Barros, Antonio Evaldo Almeida; Ratts, Alecsandro José Prudêncio; Souza, Maria Luiza Rodrigues; Ferreira, Glauco Batista
Although they seem like an individual phenomenon, photographs should also be understood as a collective construction. In this study, besides being important in the plot of memory in the context of Terecô of Bacabal (MA), are pieces that set up a timeline of the Spiritist Tent of Umbanda de São Raimundo Nonato, the terreiro of my family. The thesis seeks to provoke a reflection on the limits and potentialities of the image for religion, portraying how it is used in the temple to narrate the trajectory of the terreiro itself and its members. Throughout the study, we approached the context of Terecô in the municipality of Bacabal(MA ) and the genesis of the terreiro, also trying to understand the conception that religious leaders and scholars have about the importance of image in the production of knowledge, without leaving aside the approach to care for the dissemination of these photographs, since religion is historically the target of prejudices. In the terreiro, it is believed that the care with the way these records reach the spaces outside the walls is able to collaborate with the breaking of stereotypes. Part of this care occurs with the contextualization of the record of rituals that will be exposed – considering that images about Afro-Brazilian religions undergo negative historical construction – and preservation of those that are part of the secret/mystery of Terecô, interdicts that are beyond human decision. It is concluded that the dissemination of images is able to help in the construction of a new look at terecô. In the academic field, the research seeks to guide researchers who use the resource of photography on the best way to act in terreiros that have rules on the dissemination of these images. In addition, another perspective begins here, this time from Bacabal, on terecô, until then portrayed predominantly from the axis of Codó (MA) since most of the published texts deal with terreiros located in this city. In the end, it is understood that photography is capable not only of helping the anthropologist to retrieve information observed in the field and serve as an illustrative element to the reader, but also to provide information that supports the construction of knowledge.
“Vai pono sintido” os saberes das lavadeiras da Cidade de Goiás no saber fazer sabão de bola
(Universidade Federal de Goiás, 2022-08-05) Moreira, Gleidson de Oliveira; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Pires, Ema Cláudia Ribeiro; Lima Filho, Manuel Ferreira; Oliveir, Alessandro Roberto de; Tamaso, Izabela Maria; Oliveira, Alessandro Roberto de
This doctorate dissertation, whose title is Vai pono sintido – os saberes das lavadeiras da Cidade de Goiás no saber fazer sabão de bola (Make sense of this – the lore of the laundresses of the Town of Goiás resulting from their expertise in making soap balls) aims to understand the meanings of that artifact, how it has been manufactured, its components, its makers and the techniques involved in its making; I have explored the ways of manufacturing and using the soap ball by considering the memories of the laundresses of the Town of Goiás (Goiás, Brazil). The methodological procedures that have been employed are: a literature exploration, a primary documents list, interviews, field work (in the Town of Goiás), the ethnography of the material culture, an analysis of the technical processes, of photographic records, video productions and drawings. The research question is this: How is soap ball, an artifact of the material culture, able to convey meaning to the life of women who have been ostracized by a “colonizing” society? The paper hypothesis starts from the resurgence of soap ball, which belongs to a network of knowledge of the peasant life from Goiás, as it is an activity that envelopes many forms of permanence and resistance of the rural world in the urban environment of the Town of Goiás. That soap ball ethnography has aimed to follow, by considering the materials (recipes, ingredients, buckets, wooden rods, lye, caustic soda, pans, knives and spoons), the flow of “things and objects” involved in the technical procedures of the manufacture chain and modulated by rhythms, gestures and movements studied by the Anthropology of Techniques. From my maternal grandmother’s reports on her active participation in that process, I have tried to comprehend those ancient forms of knowledge, whose ancestry lies in the fazedeiras (female makers) of soap balls from the Town of Goiás since colonial days. The text has been arranged in four chapters: the first one, “Ethnography of the things biographed by my grandmother”, displays the stories derived from the objects that constitute the places occupied by the laundresses; in the second one, “Being a poor woman in the Town of Goiás”, there is an interpretation of the biased conceptions based on sex discrimination and ethnocentrism towards the professional laundresses in different periods of history; the third one, “The soap ball and its technique: recipes, ingredients and ways to make it”, regards technique as manufacture; lastly, the fourth chapter, “Notebook of Images”, is a section in which I have used pictures as a way to enlarge the written text by articulating speech, written words and images. I hope this work may contribute to the Academy through its reflections concerning the anthropology of the body and the anthropology of technique.
“Vai pono sintido” os saberes das lavadeiras da Cidade de Goiás no saber fazer sabão de bola
(Universidade Federal de Goiás, 2022-08-05) Moreira, Gleidson de Oliveira; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Pires, Ema Cláudia Ribeiro; Tamaso, Izabela Maria; Oliveira, Alessandro Roberto de; Lima Filho, Manuel Ferreira; Sautchuk, Carlos Emanuel
This doctorate dissertation, whose title is Vai pono sintido – os saberes das lavadeiras da Cidade de Goiás no saber fazer sabão de bola (Make sense of this – the lore of the laundresses of the Town of Goiás resulting from their expertise in making soap balls) aims to understand the meanings of that artifact, how it has been manufactured, its components, its makers and the techniques involved in its making; I have explored the ways of manufacturing and using the soap ball by considering the memories of the laundresses of the Town of Goiás (Goiás, Brazil). The methodological procedures that have been employed are: a literature exploration, a primary documents list, interviews, field work (in the Town of Goiás), the ethnography of the material culture, an analysis of the technical processes, of photographic records, video productions and drawings. The research question is this: How is soap ball, an artifact of the material culture, able to convey meaning to the life of women who have been ostracized by a “colonizing” society? The paper hypothesis starts from the resurgence of soap ball, which belongs to a network of knowledge of the peasant life from Goiás, as it is an activity that envelopes many forms of permanence and resistance of the rural world in the urban environment of the Town of Goiás. That soap ball ethnography has aimed to follow, by considering the materials (recipes, ingredients, buckets, wooden rods, lye, caustic soda, pans, knives and spoons), the flow of “things and objects” involved in the technical procedures of the manufacture chain and modulated by rhythms, gestures and movements studied by the Anthropology of Techniques. From my maternal grandmother’s reports on her active participation in that process, I have tried to comprehend those ancient forms of knowledge, whose ancestry lies in the fazedeiras (female makers) of soap balls from the Town of Goiás since colonial days. The text has been arranged in four chapters: the first one, “Ethnography of the things biographed by my grandmother”, displays the stories derived from the objects that constitute the places occupied by the laundresses; in the second one, “Being a poor woman in the Town of Goiás”, there is an interpretation of the biased conceptions based on sex discrimination and ethnocentrism towards the professional laundresses in different periods of history; the third one, “The soap ball and its technique: recipes, ingredients and ways to make it”, regards technique as manufacture; lastly, the fourth chapter, “Notebook of Images”, is a section in which I have used pictures as a way to enlarge the written text by articulating speech, written words and images. I hope this work may contribute to the Academy through its reflections concerning the anthropology of the body and the anthropology of technique.
Sistema agroalimentar e (re)existência: ‘mitos’, discurso político e produção acadêmica Akwẽ-Xerente
(Universidade Federal de Goiás, 2022-03-31) Schmidt, Rosana; Baptista, Jean Tiago; http://lattes.cnpq.br/9407792021708165; Baptista, Jean Tiago; Mainard, Camila; Oliveira, Lisbeth; Wichers, Camila Azevedo de Morais; Souza, Rildo Bento de
The high consumption of industrialized foods and the increase of chronic illness among the Akwẽ are some of the impacts arising from a socio-environmental problem caused by the hegemonic model of development. This study observes the agri-food system in the discourse of (re)existence of the Akwẽ people, under an anthropological view of their own (re)existing relations and practices. It also positions women and men in the food system, and evidences an epistemology in the face of the dynamics of this system. The research starts from the dialogue started in 2010, and since 2018 from personal and virtual data, resulting from interactions with the Akwẽ. The dialogue was conducted with leaders, such as men and women elders, teachers, and political leaders, inhabitants of the Xerente Indigenous Land in the State of Tocantins, Brazil. The observation was structured from genres of discourse, such as myths/narratives/stories, political discourse and academic and/or bibliographic production. The emphasis on food revealed reciprocity in the relationships and practices of nature, based on ontology, in place, in time, in reality and in the concreteness of existence. These relationships express cultural singularities, such as their social morphology and cosmology; its food system, mainly by existing, resistant or abandoned plantations and collections and its culinary recipes. Finally, the different narrative dimensions highlight akwẽ dispositions and motivations in the process of leading the life well and with self-sustenance.
Sob a ótica das misturas caleidoscópicas: as narrativas em torno da ocupação histórica dos Kayapó meridionais no sul de Goiás
(Universidade Federal de Goiás, 2021-11-13) Junqueira, Gabriela Gonçalves; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Nunes, Eduardo Soares; Dornelles, Soraia Sales; Cândido, Manuelina Maria Duarte; Rodrigue, Robson Antônio
During the XVIII and XIX centuries, the area known today as the Southern Goiás was the stage of conviviality and the numerous contact strategies with alterity. This area has been an historic territory of Kayapó occupation described by historiography narrative as “gentile Cayapó”. The present work aims to analyze the anthropological, historical and archeological narratives, especially those narra-tives from two major archeological projects of Goiás - the Anhanguera project and the archeological project of Goiás – in order to comprehend the ways in which those indigenous people are figuring in those narratives. Departing from historical, archeological and anthropological facts, we aim to revise rigid and monolithic models that were privileged by interpretations of those populations. The inter-disciplinary, intercultural and interepistemic dialogue (BANIWA, 2019), privileging the native's cat-egories, offer other possible perspectives and interpretations to indigenous history, valuing the con-scious actions of those historical subjects. Departing from the ethnographic projection, the theoreti-cal methodological framework of the present thesis, the objective is to trace parallels between South-ern Kayapó documentation descriptions and the ethnographies of the Jê populations to achieve better comprehension of some of their practices and symbolism impregnated in their actions. In addition to practices, some interpretative models employed to understand the contacts of those populations with the exterior world are discussed. The concept of mixture (NUNES, 2010), intended as a native frame-work for interaction with alterity, in addition to the varying possibilities derived from the image of a kaleidoscope, inspire the proposal of a new interpretative framework named as Kaleidoscopic Mix-tures. Considering the multiples relations with the exterior world those indigenous people would be capable to incorporate and acquire alternate possible perspectives – non-kayapó-human and non-human – and conscious activate according to practical or contingency necessities, a cycle not based on repetition, but in alternation, focusing anti-hybridity. The proposal will function as a new inter-pretative framework of historical and archeological narratives and documentations in order to build a reflexive and anthropological comprehension of those people, suggesting new concepts and inter-pretations that will act as mediators in the comprehension of past cultural multiplicity and dynamics of those indigenous people.
Pedagogias quilombolas – considerações sobre as possibilidades de uma educação escolar quilombola em Minas Gerais
(Universidade Federal de Goiás, 2021-12-15) Leal, Francy Eide Nunes; Herbetta, Alexandre Ferraz; http://lattes.cnpq.br/8579440598142385; Ratts, Alecsandro José Prudêncio; Mainardi, Camila; Pereira, Mariana Cunha; Landa, Mariano Báez; Costa, Kênia Gonçalves
This thesis is the result of a collective construction with quilombola educators. It was written through various voices, writings, and bodies, with the focus on problematizing, from na anthropological perspective, processes and situations involving quilombola school education in Minas Gerais (Brazil). The objective was to analyze the elaboration process of the current legislation on the subject, the conflicts arising from and implicit in this process, the institutionalization of the state bureaucracy in Minas Gerais, and the possible advances observable from the “school ground”, such as the elaboration of counter-colonial pedagogical practices, a central element in the thesis. Besides the analysis of secondary data, I also carried out an ethnography in the Fazenda Passagem Funda State School and followed events in which quilombola intellectuals and teachers spoke about the issue. Thus, it became evident that the implementation of “quilombola schools” instead of “schools in the quilombos” requires a long process of community resistance in face of the existing tensions inside the school spaces and territories, which are permeated by foreign policies and values. The progressive overcoming of these tensions, as we have seen, has been occurring with the recognition of quilombola teachers, as a particular category, and the access of quilombolas to universities, which materialize the possibility of building a differentiated quilombola school education – anti-racist, autonomous, counter-colonial, and collectively promoted by the communities.
Trioká xohã – Caminhar guerreiro: a retomada dos Pataxó de Gerú Tucunã
(Universidade Federal de Goiás, 2022-02-07) Gonçalves, Antônio Augusto Oliveira; Pechincha, Mônica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Mônica Thereza Soares; Tugny, Rosângela Pereira de; Mainardi, Camila; Oliveira, Alessandro Roberto de; Carvalho, Maria Rosário Gonçalves de
This thesis focuses on the retaking of the Pataxó in Gerú Tucunã, in the municipality of Açucena (MG) – Vale do Rio Doce. The people of Tucunã went through a series of walks between the extreme south of Bahia and Tucunã: from mother village of Barra Velha (BA) they moved in the late 1970s to the Fazenda Guarani Indigenous Land, in Carmésia (MG); from there they moved to Aracruz, Espírito Santo, where they lived with Tupinikim people from the Pau-Brasil village. They returned to Minas in the 1980s and took a new walk, in 2010, from Fazenda Guarani to the territory of Tucunã, where they were looking for fertile land for their swiddens and for reforestation. Populating the socius with plant species is a necessary condition to attract the presence of caboclos in the territory, seeking spiritual protection from their ancestors, one of the main reasons that moved the Pataxó warriors to Açucena. In this complex intertwining of the branches (ramas) with the old trunks (troncos velhos), of the Pataxó of today with their ancestors, the warrior walk (trioká xohã) of the people of Tucunã emerges. Trioká brings back what drives it, that is, the spirituality of the caboclos, the return to the warrior’s language (the Patxôhã), the walks and stories of the ancients. Following the trail of the old trunks (troncos velhos), we come across certain narratives and elders spread out in different pataxí’p (pataxó villages) who tell them to relatives and researchers. The Pataxó of Tucunã themselves carried this ethnography to other Pataxó territories, in Mirapé, Barra Velha and Naô Xohã. When walking along these paths, it is seen that the awãkã’p (Pataxó stories), less than closed in on themselves, circulate in certain people, in the pataxí’p and through txihi (Pataxó) spirituality. Not everyone knows all the narratives, it is necessary to wander in a web of sociality and spokespersons authorized to narrate them. I seek to describe, through these different paths, the forms of resistance in the retaking, the trioká xohã of the Pataxó.
Sofrendo, cantando, chorando, bebendo: um estudo antropológico entre a música sertaneja e a banda sinaloense
(Universidade Federal de Goiás, 2021-10-26) França, Matheus Gonçalves; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Tamaso, zabela Maria; Raposo, Paulo; Dias, Juliana Braz; Souza, Maria Luiza Rodrigues; Hirano, Luis Felipe Kojima
The present study aims to carry out an anthropological comparison effort between música sertaneja (Brazil) and banda sinaloense (Mexico), seeking to understand to what extent these two musical styles are closer and far apart in cultural, discursive and also in relation to social practices – especially those of sociability – that take place in their respective contexts, with a focus on the subjective experience in relation to these cultural repertoires. Through ethnographic research carried out in the cities of Goiânia (GO) and Oaxaca de Juárez (Oaxaca), I sought to explore on this dimension of the experience of subjects with music, especially with regard to the emotions provoked by them as a way of marking and producing differences. In this sense, through fieldwork carried out in bars, nightclubs, private parties and large-scale concerts in terms of audience and musical production, the field of cultural performances becomes an important element of observation and analysis. In the two cases studied here, discourse practices on the love suffering are evident as constitutive of an ethos that characterizes both musical styles, whether in the content of the songs, especially the lyrics, or in the speeches of interlocutors. In the same way, discourses around social markers of difference such as gender, sexuality, regionality and race show contentiousness around the limits - and ruptures - of representation and social representativity in the field of music, especially that pointed out as "massive” or “commercial”.
Vidas operárias: trajetórias migrantes no Brasil-Central na virada para o século XXI
(Universidade Federal de Goiás, 2021-10-13) Malta, Atilio Lúcio; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Wichers, Camila Azevedo de Moraes; Godoi, Emilia Pietrafesa de; Collaço, Janine Helfst Leicht; Nunes, Jordão Horta
This ethnography, built at the interfaces between anthropology, sociology and oral history, aims to oversight an urban and contemporary factory workers group from Aparecida de Goiânia, municipality of Metropolitan Area of Goiânia, in Brazil´s Central Region. This work has as analysis unit the trajectory of people from this workers group, under the point of view of determined difference social markers. The intention of this work is to follow these trajectories in its flow, arrangements, circulation, relations and network on the everyday saga of each person, trying to abandon poverty, social undifferentiation and social inequity in every range. My interlocutors do not reside in a single neighborhood, although, in fact, there is a district “only” for them. They do not even work on a single factory, although their itineraries are marked for one. They do not even belong to a same gender or generation, but they share a social and symbolic universe: the one from contemporary popular factory worker classes. This universe is the aim I try to get on the relations between past and memory when they narrate their own conception of autobiography. Given the relation between researcher and his field, the effort consists in “wonder the familiar” that, in many words, is given by diving in literature concerning this subject and by the contrast between memories and “shared trajectories”.
Ruah está soprando as flores: mulheres e suas militâncias no fazer teológico feminista no Brasil
(Universidade Federal de Goiás, 2021-09-03) Melo, Flávia Valéria Cassimiro Braga; Sofiati, Flávio Munhoz; http://lattes.cnpq.br/7078667432523349; Sofiati, Flávio Munhoz; Teixeira, Jacqueline Moraes; Nunes, Maria José Fontelas Rosado; Dias, Luciana de Oliveira; Braz, Camilo Albuquerque de
This research conducts an ethnographic study with six groups of Christian feminists articulated around a closed Facebook group called in this study Flores Insubmissas: Evangélicas pela Igualdade de Gênero, Frente Evangélica pela Legalização do Aborto, Católicas pelo Direito de Decidir, Vozes Marias, Rede de Mulheres Negras Evangélicas, and Projeto Redomas. These are women who fight against the traditional Christian engagements, permeated by the logic of patriarchy. The study was carried out through Cyber-Etnography and multisite ethnography, adopting participant observation, field diary records, and thirteen interviews. In this context, it was possible to accompany them in different trenches and militancy, in which the feminist theological practice, intertwined with its thematic approaches, placed them in different fronts and trenches. In my ethnographic journey I sought to understand how these women, by diluting the apparently inconconcilable barriers between feminism and Christianity to made them tools of struggle and militancy, becoming political subjects. Through this study I observed that among their main targets are, for example, the decriminalization of abortion, the confrontation against violence, the denunciation against racism, the inter-religious dialogue, the autonomy of women over their bodies, and the dissidents of gender and sexuality. Outside the borders, they are marginalized in different aspects, yet they are producing ruptures and managing to widen their tents, as well as counter patriarchal narratives and dialogue beyond the walls.
Práticas e sentidos de justiça em conflitos pela terra envolvendo indígenas e quilombolas: usos e mobilizações dos laudos antropológicos em processos judiciais
(Universidade Federal de Goiás, 2021-10-07) Lemes, João Vitor Martins; Silva, Joana Aparecida Fernandes da; http://lattes.cnpq.br/2026902199057983; Silva, Joana Aparecida Fernandes da; Oliveira, Alessandro Roberto de; Herbetta, Alexandre Ferraz; Moreira, Erika Macedo; Tárrega, Maria Cristina Vidotte Blanco
The identities and territorialities of traditional nations and communities are recent guarantees in Brazil. Only with the 1988 Democratic Constitution begin substantive movements to repair the processes of subjugation/ exclusion/ marginalization to which these subjects were subjected. Furthermore, despite being clearly guaranteed in the post-88 legal system, on the material plane these identities and territorialities are not effectively guaranteed, due to the State's difficulty in understanding and internalizing the categories under which the lives of these groups are based, especially in the context of conflicts for land that development processes impose on a daily basis and that directly impact the ways of doing, living and creating of these groups. Taking into account the mismatch generated by the lack of understanding of cultural diversities in state political and legal processes and assuming that the contributions of anthropological reports in court proceedings point out new possibilities in the sense of overcoming the obstacles imposed by modern law to guarantee rights based on diversity, this thesis proposes to reflect on how anthropological reports contribute to the legitimacy of these subjects' rights by inserting subsidies so that legal decisions on the lives of these human groups respect their sociocultural dynamics as much as possible.
"O carro de boi é a minha vida": técnicas e expressões culturais entre carapinas e carreiros no interior de Goiás
(Universidade Federal de Goiás, 2021-07-26) Oliveira, Túlio Fernando Mendanha de; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Oliveira, Alessandro Roberto de; Menezes, Renata de Castro; Sautchuk, Carlos Emanuel; Lima, Nei Clara de
In this thesis I have analyzed the ways the oxen cart parade and the convoy pilgrimage that have been taking place during the traditional Festa do Divino Pai Eterno (Divino Pai Eterno’s Festival), in Trindade (GO), may be interpreted from the oxen cart perspective, from its historical basis to the varied techniques of its build and to the taming of the convoy oxen, which have permitted me to identify a set of cultural repertoires specific to cosmologies, ontologies and modus vivendi of country districts of Goiás, where rural features are currently associated to urban features by a group of relating hybridity factors. At the first part of the work, I have drawn my attention to the oxen cart parade in Araçu (GO) and to the convoy pilgrimage in honor of Pai Eterno (Eternal Father), which has been held in Trindade (GO) since the midnineteenth century. I have made a description of the parade and the journey I undertook with the convoy in 2019, in which I try to show how such parade articulates habits, traditions and organizational modes, beyond the sacred issue. That has led me to consider oxen carts as a central analysis category. Furthermore, by a historiographical approach, I have tried to show the origins and the widespread use of oxen cart in many historical periods, from its origin to its introduction in Goiás and its large participation in people’s daily life. In the third part, I have focused on my own research analysis, which were carried out with woodworkers specialized in the build of oxen carts, known as carapinas. In that topic, their build techniques have proved to generate a heuristic polysemy of anthropological meanings that I have tried to analyze more profoundly. In the following chapter, I have described the choosing and training (taming) stages of the convoy oxen so as to realize that such moments also articulate techniques and cosmogonies that involve the typical way of living of Goiás country populations. In the last part of this thesis, I have shown how labor represents a didactical and pedagogical power for the carapina and the carreiro (oxen cart craftspeople and oxen cart conductors), how oxen carts currently stir other social categories and even the political agenda. At last, I have displayed how oxen carts and oxen cart conductors may be seen as a living heritage for the concrete cultural traits and even the intangible knowledge that they hold.
Etno-cidade: mayas em Mérida hoje
(Universidade Federal de Goiás, 2020-06-05) Ferreira, Marcos Henrique Barbosa; Collaço, Janine Helfst Leicht; http://lattes.cnpq.br/9655194212314066; Collaço, Janine Helfst Leicht; Magnani, José Guilherme Cantor; Landa , Mariano Baez; Herbetta, Alexandre Ferraz; Mainardi, Camila
This thesis is the result of an ethnographic study carried out in Mérida, the capital of the Mexican state Yucatán, between January 2018 and March 2019. Based on interviews about life stories, analysis of maps and images, I deal with some transformation processes in the urban space, as they are experienced by the mayan population living in the city. Based on the landscape category, taken as a record of everyday practices of living, working and moving on in the city, I think about the production of urban borders and the way they relate to the issue of ethnicity. For this, I analyze the way in which these practical activities relate to cultural meanings constructed throughout Mérida's history. In other words, I try to understand how social practices and cultural meanings participate in the production of lived and experienced urban environment, with its borders, conflicts, forms of racism and segregation.
Narrativas e silêncios no sofrimento do morrer: cuidados paliativos, câncer e ambiente familiar
(Universidade Federal de Goiás, 2020-06-04) Santos, Selma Cristina dos; Silva, Joana Aparecida Fernandes da; http://lattes.cnpq.br/2026902199057983; Silva, Joana Aparecida Fernandes da; Anzai, Leny Caselli; Medeiros, Marcelo; Reis, Mary Lopes; Collaço, Janine Helfst Leichsr
The attention our work gives to the narratives and to the silence established among the people that are ill from cancer unresponsive to treatment, their family and the healthcare team responsible for the home care had the objective of identifying to what extent the relationship established among all the involved in the process of the disease helps the experience of suffering and dealing with imminent death. Two were paths for such elaboration: the theoretical construction and field work research. The field work research was developed during a period of 25 months in which I accompanied patients in their daily routine within the home environment and also in the headquarters of the Grupo de Apoio Paliativo ao Paciente Oncológico (GAPPO)/ Oncological Palliative Care Support Group (GAPPO), which is one of the Services in the Araújo Jorge Hostipal (HAJ) and one of the operational unities of the Associação de Combate ao Câncer de Goiás (ACCG)/ Goiás Association for Cancer Control, based in the city of Goiânia, Brazil. I have also provided palliative care to the families under the responsibility of the GAPPO. Considering the 595 people referred to palliative care under the responsibility of the GAPPO whom I could accompany during my field research, 539 passed away, being that 390 of them in less than three months. The complex situations that the research realm presented inspired me to develop a reflection on the place of anthropology and, more specifically, on the ethnographic praxis, taking into account the emergence of new objects of study demanded today of anthropology and of new social realities. In the present work, I pose questions regarding palliative care and its processes of legalization in the medical and legal realms and extend the debate to the references in bioethics. Conceptually, I activate social representations as a foundation to reflect on the power that is imposed over the bodies that are considered sick. I understand diseases and cancer as a state in the margins generating discomfort while therapeutic and technological efforts perform as ritual procedures. I speak of the suffering that is externalized in the form of pain, death, and the act of dying, challenging the definitions of disease, cancer and death of the people involved in the process of being ill. Special attention is given to what the research work has revealed: violence in the home environment, reinforcement of the stages of grief and recognizing what is possible to be done and to be lived when death is the way.
Com o peito cheio de pó: uma etnografia sobre a negação do adoecimento de trabalhadores do amianto na cidade de Minaçu (GO)
(Universidade Federal de Goiás, 2019-05-17) Amaral, Arthur Pires; Pechincha, Mônica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Mônica Thereza Soares; Víctora, Ceres Gomes; Collaço, Janine Helfst Leicht; Vieira, Suzane de Alencar; Nunes, Jordão Horta
This doctoral thesis starts from the problematization of the risks involved in working with asbestos, in an international perspective, casting the comparison with the empirical case of Minaçu, a Brazilian city that was founded and consolidated due to the asbestos mining industry – represented here by S.A. Minerações Associadas (SAMA). The ethnography held in this city evidenced and built herself under the avoidance and embarrassment of the locals to a dialogue about asbestos-related illness of SAMA employees and former employees. This situation reflects the collusion between Science, Industry and State, as instances of power responsible for raising doubts about the dangers of toxic substances that, at Minaçu, become entangled in the mining company’s strategies of: (i) concealment of the risks involved in working with asbestos, and (ii) manipulation of the former employees’ medical reports. By means of the anthropological concept of social suffering, the ethnography brings to light narratives and experiences of illness and death of asbestos workers at Minaçu, in their (ineffective) searches by diagnosis, treatment and medical-legal recognition. Finally, it demonstrates how the illness process of SAMA workers, whose asbestos-related diseases were never recognized by the mining company, are subsumed and assimilated to the “normal”, “ordinary” routine of the everyday life in that city. This situation produces a deep sense of loneliness among the sick and their relatives that, added to socioeconomic and institutional power relations, prevent the local ethical, political and civil engagement that would lead to its effective public complaint.

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