Arquivo, Museu, Contemporâneo. A fabricação do conceito de Arte Contemporânea no museu de Arte de Santa Catarina-Masc/SC
Data
2011-02-18
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Universidade Federal de Goiás
Resumo
The present study analyzes, in the ambit of the Art Museum from Santa Catarina (MASC), the theoretical pathway between the work of Contemporary Art and the dynamics of the called
Art system undertaken at the inside part of the institution . It is verified the theory of Art from the theoretician practices, which inserted in the context of the institutions, may define the
statute of what Art is and what Art is not. For both authors such as: Cauquelin (2005a,
2005b), Millet (1997), Archer (2001), Gonçalves (2004), Freire (1999) were used as
theoretical apparatus. Concerning about the field InterArt theory, it is investigated the
relations between Contemporary Art and its process of patrimonialization understood from the
changes that got effective in contemporary artistic production, constituting the deconstruction
of the artistic object or its frailty as object of art. Take into account the History field and
Interart Theory, the studies have analyzed the Modern and Contemporary Art objects and its
circularity in institutions from the following: the concept of Art, the concept of archive, the
concept of memory and from the document as blank for the work. Authors such as Nora
(1993), Huyssen (1996), Freud (1997), Birman (2006), Mezan (1989) have contributed with
the notion of memory allied to the the process of forgetfulness and to the museum as an
institution of memory. It is also analysed the transformation from Florianópolis Modern Art
Museum (MAMF) in Santa Catarina Art Museum (MASC), in 1970s decade, process which
gets effective from the reflections on the issues which build the Contemporary
transformations and the actors considered relevant to the transformation process from
MASC: For the transformation analysis, reflections about museum collection issues are
presented: What collection is and thought, the documental dimension that closes it and the
dimension of archive concept, which means, the notion of archive which gets effective from
Mal D Archive in Derrida (2001) e Roudinesco (2006) and the process of filing, by which the
museum takes place: The excess, the absence, the deletion, the forgetfulness, caused by the
institution and in the institutionalization of archive. In parallel with the theoretical studies, it
was carried out a diagnostic-visit to sixteen Art Museums around six Brazilian states. It was
defined as analysis object MASC by presenting the features of a museum which possesses
Modern Art and Contemporary Art museum collection, due to the singularity of its creation
process.
Descrição
Citação
PINTO, Suely Lima de Assis. Archive, museum, contemporary. The manufacture of contemporary art concept at Santa Art Museum- MASC/SC. 2011. 340 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2011.