Festspielmusik de Ronaldo Miranda para dois pianos e percussão: uma abordagem interpretativa
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Data
2012-04-13
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Universidade Federal de Goiás
Resumo
This dissertation discusses the work Festspielmusik (2003) for two pianos and
percussion written by Brazilian composer s Ronaldo Miranda (1948). A historical
contextualization provided the information pertinent survey of Ronaldo Miranda s trajectories
vital and compositional. The article discusses the analogy between the mechanism of the
piano (struck string instrument) and percussion instruments (idiophone with definite pitch). A
detailed analysis of the Festpielmusik s compositional process suggested parameters for
interpreting the work in question. And also were developed two tables (in annex), the first
shows a listing of pieces written for piano and percussion from the twentieth century and the
second lists the works of Ronaldo Miranda, with informations from the site
(www.ronaldomiranda.com) and the Brazilian Academy of Music. The manuscript score and
a CD containing the recording of Festspielmusik are also included. The conclusion points to a
representativeness of Festspielmusik in the contemporary scene of the Brazilian Chamber
Music and evidencing the relevance and spread of the composer Ronaldo Miranda.
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Citação
UMBELINO, Laura Moraes. Festspielmusik of Ronaldo Miranda for two pianos and percussion: an interpretative approach. 2012. 147 f. Dissertação (Mestrado em Linguística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2012.