A trajetória histórica da improvisação no choro: um enfoque de configurações estilísticas e processos de hibridação cultural
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2012-04-27
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Universidade Federal de Goiás
Resumo
The choro, he cultivates an instrumental genre improvisational style, has been transformed in
the course of its history, both in melody and harmony. The first cries compounds possessed
simple harmonies, making the soloists of the time to interpret differently from today. The
different treatments harmonics, which have arisen over time, seem to have been one of the
leaders of these different interpretations, which have been shown in an intense and
characteristic improvisation. Apparently, there was an increase in these transformations of
choro with the rapid development of technology and media from the mid-twentieth century.
This circumstance, perhaps, brought a more intense and immediate contact of this musical
genre with global genres such as jazz, for example, as a new and intense focus on
improvisation, which has drawn attention to formal structures and performing hybrid
performances. The intensification of cultivation of Jazz in the country and later the
emergence of Bossa Nova in the mid-twentieth century, it seems, interfered markedly in the
improvisation of gender, providing new composers to invest in new procedures related to this
harmonic American genre. Given this circumstance, this study aimed to investigate the
technical and cultural implications resulting from the interference of different harmonics in
procedures related to the processes of improvisation and musical genre choro in this context
not only seek melodic and harmonic innovations, but also processes of identity implicated in
processes of cultural hybridization.
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MATOS, Everton Luiz Loredo de. A career in the history of improvisation choro; a focus on stylistic settings and processes of cultural hybridization. 2012. 241 f. Dissertação (Mestrado em Linguística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2012.