Procedimentos composicionais na música de Edu Lobo de 1960 a 1980
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Data
2010-03-26
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Universidade Federal de Goiás
Resumo
This dissertation approaches the music by Eduardo de Góes Lobo, Edu Lobo
(1943 -), from 1960 to 1980. The research identifies the characteristics of these works in
context, looking at the compositional phases and considering the influences that built
his style. Five compositions were selected, transcribed and analyzed taking into account
the importance of the work and the final results reached by Edu Lobo as a composer and
arranger.
The diversity of procedures found in his works unleashed us from the traps of
labeling styles and music genres. A theoretical framework was built around the
concepts of identity, hybridism and style, related to his musical career and the elements
found in the analysis. In addition, interviews with musicians who worked with Edu
Lobo provided additional data to the research.
The results show the music hybridisms used by Edu Lobo as a tool for the
formation of his style and musical identity, or signature, pointing to the recurring and
particular compositional elements in the works under scrutiny.
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Citação
BASTOS, Everson Ribeiro. Compositional procedures in the music of Edu Lobo 1960-1980. 2010. 266 f. Dissertação (Mestrado em Linguística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2010.