OS AZULEJOS DE PORTINARI COMO ELEMENTOS VISUAIS DA ARQUITETURA MODERNISTA BRASILEIRA
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2006-12-11
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Universidade Federal de Goiás
Resumo
Turning the glance back to the Brazilian Architecture production carried out
between the 1930s- 40s means to have the opportunity of seeing a kind of atemporal
conception, which once re-visited, may allow the reflection and production of a self
Architecture, strong enough to absorb the external influences without being dominated by
them. In this piece of work, the object of study is the resource of Azulejaria , used as a
resource for visual composition of environments, legitimating the discourse of that
Architecture. It is not expected to analyze the whole production of 1930s-40s above
mentioned, but finding throughout the most important buildings where Azulejaria was used,
the aesthetic values proposed by that kind of Architecture. For that, it is made use of the
convergences among Portinari, Costa and Niemeyer work. Starting from the
understanding of the ambience concept concerned about Brazilian Modernism,
methodologically, it is tried to relate the concepts, so that it becomes possible to
comprehend the relation among the spaciousness, pictorial or architectonical. Azulejaria, as
a resource of visual legit, allows understanding not only the spatiality seen from the light of
an interdisciplinary approach, but also clarify the consequences of this procedure in the
subsequent Architecture, according to the framework which it was delimited. The
understanding of Azulejaria as a symbolical element that refers to the National Property
work, also allows, according to my way of seeing, a fundamental information as reference
to the psychological and artistic aspects involved in the Azulejaria Architecture
composition process. As being considered a legit resource of Brazilian Architecture
discourse, Azulejaria has had great consequences in the development of Architecture after
Pampulha inauguration at the end of the 1940s, and it has attracted a glance towards Brazil
in a historical circumstance, which it was, actually, a concomitant necessity to the
peripheric countries of finding a cultural identity at the first half of the XXth century
Descrição
Citação
PINTO JÚNIOR, Rafael Alves. OS AZULEJOS DE PORTINARI COMO ELEMENTOS VISUAIS DA
ARQUITETURA MODERNISTA BRASILEIRA. 2006. 125 f. Dissertação (Mestrado em Processos e Sistemas Visuais, Educação e Visualidade) - Universidade Federal de Goiás, Goiânia, 2006.