Os cantos de presépios como identidade da comunidade de Pirenópolis
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Data
2020-10-13
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Universidade Federal de Goiás
Resumo
In the present work, we investigate the tradition of songs of cribs that is celebrated by the
community of the city of Pirenópolis. It was born in the first half of the XVIII century, in the
time called Mines of Our Lady of the Rosary of Meia Ponte, it was in the XIX century that
with the name of Meia Ponte, it stood out like cultural cradle Goiano - with the appearance of
the band and great masters and of the press, with the emergence of the first Central West
newspaper. Today, still influenced by the historical cultural festivities, the traditional houses
of the city are surrounded by cribs, tradition and religiousness in the Christmas period. The
representations of the tradition of songs of cribs, the mourners and devotees, will be in this
production presented and portrayed, through the narrative of who experienced the ceremony
and related to the mythical and spiritualized historic city. The intention is to extract from
literature, fieldwork, memories and experiences of rezadeiras in the Alto do Bonfim
neighborhood in Pirenópolis, subsidies for a description and understanding of the cultural
manifestations that make up the city’s festive calendar. The trajectory begins with a journey
through time when we produce the rescue of the city’s historicity and the implementation of
its churches and religious and cultural festivities. Soon after, a description of the traditions of
the songs of cribs and their memories is presented so that, afterwards, they can be debated as
rituals, so that we can understand the memories and their transmissions as identity constituent
parts of the pyrenopoline community.
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Palavras-chave
Memória , Pirenópolis , Identidade , Cantos de presépios , Performances , Ritual , Memory , Iidentity , Pirenópolis , Songs of cribs , Performances , Ritual
Citação
MATTEUCCI, L. W. Os cantos de presépios como identidade da comunidade de Pirenópolis. 2020. 143 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020.