Riso, desespero, exílio e loucura: a canção popular brasileira em Terra estrangeira e Durval discos
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Data
2012-06-26
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Universidade Federal de Goiás
Resumo
This research is about the behavior of Brazilian popular song in two pieces of nacional
contemporary cinema, which represent Retomada (1990’s) and Pós-Retomada phases
(2000’s) – Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) and Durval Discos
(Anna Muylaert, 2002). From considering song’s presence in these movies, the research aims
to exercise a film analysis method based on its connection with films’ aesthetics and
narratives. This project goals to stablish an approach between the hybridity revealed in
popular songs (musical and verbal languages together in mediated performance) and in the
cinema (audio and visual codes), placing Brazilian popular songs used in these movies in the
historical period in which they were born and in the ficcional film ressignificance zone; and to
value their functional, organic and poetic use in nacional cinema. It starts from the concept of
Brazilian popular song based on Wisnik's (2004) and Tatit's (2004) contributions and Aumont
and Marie's (2004) and Bordwell's (1991) film analysis proposals
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SANTANA, G. C. C. S. Riso, desespero, exílio e loucura: a canção popular brasileira em Terra estrangeira e Durval discos. 2012. 163 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2012.