Aspectos da performance em Copacabana mon amour: entre o ator e a mise en scène no cinema de Rogério Sganzerla
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2021-06-14
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Universidade Federal de Goiás
Resumo
This research has as its theme the acting in modern Brazilian cinema, focusing on Rogério
Sganzerla's cinema in the context of Cinema Marginal that emerged in the second half of the
1960s. The corpus of the research consists of the film Copacabana mon amour (1970), directed
by Sganzerla when he worked at the production company Belair. The objective of the research
is to apply the concept of performance in a study of cinematographic stylistics focused on the
mise en scène, emphasizing the work of the actors, in order to understand to what extent
Copacabana mon amour incorporated elements characteristic of the performance as an artistic
language, defining, thus, its particularities as a film of modern Brazilian cinema. The hypothesis
is that Rogério Sganzerla adopted forms in the film Copacabana mon amour that have aspects
in common with the way of thinking and making the scene, as well as the way of being in the
scene of performance art. The language of the performance is taken as a type of scenic
expression that has its own ways of acting and construction of the scene and that emphasizes
the event at the moment of its presentation. Therefore, the cinema made by Sganzerla in Belair
goes against a way of disposing the mise en scène approached by Aumont (2008a) and Oliveira
Júnior (2013), which emerged in modern cinema, which values the creation of the actor at the
time of filming as a component of its composition. This is a qualitative study that uses film
analysis as a methodology. The result achieved with the research is that by combining aspects
of the language of performance with an approximation of reality through the scenarios typical
of modern cinema, Sganzerla allowed the actors to perform similar to that performed in
performance art.
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OLIVEIRA, K. M. Aspectos da performance em Copacabana mon amour: entre o ator e a mise en scène no cinema de Rogério Sganzerla. 2021.120 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2021.