No pinicado da viola: a criação de personagem a partir da experiência com o samba chula
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2022-02-24
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Universidade Federal de Goiás
Resumo
Samba de Roda is a traditional expressive manifestation of the Recôncavo Baiano region, which
involves music and choreographic, poetic, festive and ritualistic aspects. Since 2005, it has been
recognized as an oral and intangible heritage of humanity by the United Nations Educational,
Scientific and Cultural Organization (Unesco). Samba is considered a Brazilian musical genre.
Among the different manifestations of samba, there is the Samba de Roda and the Samba
Chula, which is characterized by the presence of a type of song that gives its name to the samba
(chula) and the viola machete. From the experience with Samba Chula in the group “Angoleiros
do Samba Chula”, from Goiânia - Goiás, the desire arises to carry out a scenic investigation into
the potential of Samba Chula as a driving force for a scenic creative work, in particular, for the
character creation. This investigation focused on conducting field research in the district of São
Braz, municipality of Santo Amaro - Bahia, with the Samba Chula João do Boi group; in
theoretical studies on scenic work, especially from research carried out by Lume –
Interdisciplinary Center for Theater Research (Unicamp) and by NuPICC – Collective Scenic
Research and Investigation Nucleus 22 and, finally, in a scenic laboratory where the character
is born. Rosario. Therefore, it starts from the understanding that the creative work in Arts of
the Scene, with elements of Afro-Brazilian cultural manifestations, such as Samba Chula,
provides the expansion of the communicative and political potential of the theater, valuing traits
of cultural identities.
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OLIVEIRA, L. F. No pinicado da viola: a criação de personagem a partir da experiência com o samba chula. 2022. 189 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2022.