Sete obras brasileiras inéditas para percussão: concepção, colaboração e o processo de criação de solos para instrumentos marginalizados
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Data
2014-04-25
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Universidade Federal de Goiás
Resumo
This research is organized into two sections: (A) Artistic Production and (B) Article. The first
presents the repertoire and program notes, the final recital – held on April 25th, two thousand
and fourteen, and the first recital – runs on September 6th, two thousand and Thirteen. The
final recital exclusively presents premieres of this research composers, while the qualification
recital was developed entirely with the resulting pieces of lifting repertoire for percussion
marginalized instruments. Section B presents the paper, which discusses the experience of a
collaborative process between performer-composer in the creation of seven new works for
solo percussion. Initially, the theoretical apparatus of collaboration is exposed, sectioning the
material raised on four types of approach to collaborative relationship. Then we discuss the
choice of instruments and the use of marginalized experimental technique to realization of
new compositions, expressing an aesthetic preference that agree Cagean thought that all sound
is equally valid, and consequently that any object is likely to be the focus of a solo
composition. The second part of the article deals with Call for new works for percussion.
Initially displays the call on your part, drawn from the understanding gained in the
bibliographical survey about collaborative relationship; then explains the process of selection
of participants composers and finally lists with data on each of the seven compositions written
for this research, using the following instruments: bass drum, tinplate, geophone, gongs
Beijing, lion's roar, tambourine and bass drum. As a result of the registration of all the stages
of relationship with composers, the third part of the article presents some examples of
influences inherent in the collaborative authoring process, and this binding element in the
exchange of information between collaborative pair of scores to specific passages.
Attachments as well follow the scores of works, the process of collaboration, recorded in
detail over the various stages of the proceedings including documents, emails and records
exchanged between the performer and composers.
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Citação
SILVA, Catarina Percinio Moreira da. Sete obras brasileiras inéditas para percussão: concepção, colaboração e o processo de criação de solos para instrumentos marginalizados. 2014. 85 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014.