Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000)
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2012-04-30
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Universidade Federal de Goiás
Resumo
This research discuss about idiomatic aspects on Brazilian pieces for the violin written about
the end of the XIX century and the beginning of the XX century, which entails pieces written
since Leopoldo Miguez (1889) until Estércio Marquez (2000). Through it we tried both to
observe and describe the presence of the violin in the panorama of the Brazilian music under
the perspective of the circularity, appraising critically the hybrid cultural process that
permeates the musical production in Brazil. For this study some facts were considered such as
social, cultural and aesthetics related to the selected works. Based on the observation,
comparisons and musical analysis focused on the diversity of the aspects of the instrument it
was possible to recognize and describe some tendencies important to the compositional
handwriting for the violin in Brazil. The bibliography review contextualizes the violin in the
Brazilian musical panorama of the colonial period until the beginning of the XXI century. The
second part reveals a data collection about the presence of the violin in Brazil, with focus on
the romantic period, the nationalism and pos-nationalism until the uncommon sonorities
detected after 1960. The third part contains examples of countless characteristics written or not
by European composers, revealing the writings representative of the violin since the romantic
period in Brazil nowadays. The conclusion points to the presence of the violin permeating the
panorama of the Brazilian music with notable European influence in the compositional
treatment, especially through the particularities of the French-Belgium School. A great
numbers of works were verified, not only in quantity, but also in diversity, composed during
the XX century, and despite the nationalistic production also have had presented idiomatic
aspects originated from the European, they were identified as having some new bow-strikes
considered typically from Brazil, which produces a sound in a different manner in relation to
the traditional ones.
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PONTES, L. F. Aspectos idiomáticos em peças brasileiras para violino: de Leopoldo Miguez (1884) a Estércio Marquez (2000). 2012. 107 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2012.