Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX
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2015-04-02
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Universidade Federal de Goiás
Resumo
This dissertation aims to analyze a visual construction process through the garments
worn by women enslaved in Brazil during the nineteenth century, through the
investigation of the photographic images contained in some photography selections:
Princess Isabel Collection - XIX Century Photography of Peter and Bia Corrêa do
Lago, the Negro in the Brazilian XIX Century Photography of George Ermakoff, and
collections found in Moreira Salles Institute in Rio de Janeiro. Our approach is
anchored in a transdisciplinary reading, inspired by studies of clothes and pictures,
crisscrossed with Visual Culture Studies, guided mainly by theoretical and
methodological contributions in the research area of photographic images proposed
by Ana Maria Mauad, Boris Kossoy Ulpiano Meneses and Lou Taylor. Thus, this
research with images is based in the description of the conditions of possibility
through the disassembly process of giving visibility to the use of some garments by
enslaved women. We add that our research will be based on the description of some
of the visual characteristics that these images enable us to highlight some signs of
slave experiences in Brazil.
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CUSTODIO, A. C. S. Vestir e marcar: a construção visual da vestimenta das mulheres escravizadas no Brasil Imperial – século XIX. 2015. 177 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.