O bandeirante que caminha no tempo: apropriações do poema “Martim Cererê” e o pensamento político de Cassiano Ricardo
Data
2015-06-03
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Universidade Federal de Goiás
Resumo
Esta tesis analiza los escritos literarios y políticos de Cassiano Ricardo, producidos en el período comprendido entre 1920 y 1930. Mediante el examen de los escritos, comprender los procedimientos intertextuales por el cual un símbolo regional "Paulista por excelencia", era una representación adecuada la Nación. El diálogo principal es con el poema Martim Cererê que "canta caminar bandeirante"; Ellos saldrían créditos, extendidas hasta la década de 1970, aunque la pena de Cassiano Ricardo. Para la toma de este tipo de procedimientos realizados en torno a la figura de pionero, utilizamos la categoría "totalizadora regionalismo". Así, enumeramos algunas de las pruebas clave para esta tesis: las versiones del poema Martim Cererê (seis de ellos, a saber: 1927, 1928, 1929, 1932, 1934 y 1936), pruebas (sobre O Brasil no original), el periódico Anhanguera y revistas Novíssima (1923) y S. Paulo (1936). La hipótesis planteada es: una reescritura del poema Martim Cererê - tanto en sus reediciones (reescritura interna) y en otros medios de comunicación (reescrito externo, sería "traducido" y "protegido" por el lenguaje de las revistas y periódicos) - patrocinado la apropiación de "bandeirante mito", dándole singularidad a la redacción de proyecto Cassiano Ricardo y la bandera del movimiento, que sufren de invisibilidad historiográfico. Aún así, este crédito, lo que permite volver a leer la historia bio-intelectual de Cassiano Ricardo, interactúa en una dinámica político-literaria, con el grupo modernista de color verde amarillo, pasando por la ruptura que las huelgas y llegar a otros dos grupos políticos, articulados en la década 1930: el integralismo brasileño y la bandera del Movimiento. La transposición de las declaraciones literarias para el discurso político establece un universo complejo que fue capturado teniendo en cuenta las posiciones de Cassiano Ricardo en diferentes campos intelectuales y habitus compartidas por él. Con esta perspectiva, la lectura de las escrituras ofrece variadas condiciones de entender cómo los símbolos regionales se transfiguró en representaciones nacionales en los momentos de aferrarse política de disputa.
This thesis examines the literary and political writings of Cassiano Ricardo, produced in the period between 1920 and 1930. By examining the writings, grasp the intertextual procedures by which a regional symbol, "Paulista par excellence", was adequate representation the nation. The main dialog is with the poem Martim Cererê that "sings walk bandeirant"; They would emerge appropriations, extended until the 1970s, although the penalty Cassiano Ricardo. To the seizure of such procedures performed around the pioneer figure, we use the category "regionalism totalizing." So, we list some of the key evidence for this thesis: the versions of the poem Martim Cererê (six of them, namely: 1927, 1928, 1929, 1932, 1934 and 1936), testing (particularly O Brasil no original), the newspaper Anhanguera and magazines Novissima (1923) and S. Paulo (1936). The hypothesis put forward is: a rewrite of the poem Martim Cererê - both in its reissues (internal rewrite) and in other media (external rewritten, it would be "translated" and "sheltered" by the language of magazines and newspapers) - sponsored the appropriation of "bandeirante myth", giving uniqueness to the writing project Cassiano Ricardo and the Movement Flag, suffering from historiographical invisibility. Still, this appropriation, which allows re-read the bio-intellectual history of Cassiano Ricardo, interacts in a political-literary dynamics, with the yellow-green modernist group, passing by the rupture that strikes and reaching two other political groups, articulated in decade 1930: the Brazilian Integralism and the Movement flag. The transposition of literary statements for political discourse establishes a complex universe that was captured considering the positions of Cassiano Ricardo in different intellectual fields and habitus shared by him. With this perspective, reading scriptures offers varied conditions to understand how regional symbols are transfigured into national representations in moments of clinging dispute politics.
This thesis examines the literary and political writings of Cassiano Ricardo, produced in the period between 1920 and 1930. By examining the writings, grasp the intertextual procedures by which a regional symbol, "Paulista par excellence", was adequate representation the nation. The main dialog is with the poem Martim Cererê that "sings walk bandeirant"; They would emerge appropriations, extended until the 1970s, although the penalty Cassiano Ricardo. To the seizure of such procedures performed around the pioneer figure, we use the category "regionalism totalizing." So, we list some of the key evidence for this thesis: the versions of the poem Martim Cererê (six of them, namely: 1927, 1928, 1929, 1932, 1934 and 1936), testing (particularly O Brasil no original), the newspaper Anhanguera and magazines Novissima (1923) and S. Paulo (1936). The hypothesis put forward is: a rewrite of the poem Martim Cererê - both in its reissues (internal rewrite) and in other media (external rewritten, it would be "translated" and "sheltered" by the language of magazines and newspapers) - sponsored the appropriation of "bandeirante myth", giving uniqueness to the writing project Cassiano Ricardo and the Movement Flag, suffering from historiographical invisibility. Still, this appropriation, which allows re-read the bio-intellectual history of Cassiano Ricardo, interacts in a political-literary dynamics, with the yellow-green modernist group, passing by the rupture that strikes and reaching two other political groups, articulated in decade 1930: the Brazilian Integralism and the Movement flag. The transposition of literary statements for political discourse establishes a complex universe that was captured considering the positions of Cassiano Ricardo in different intellectual fields and habitus shared by him. With this perspective, reading scriptures offers varied conditions to understand how regional symbols are transfigured into national representations in moments of clinging dispute politics.
Descrição
Palavras-chave
Literatura , Política , Bandeirante , Nação , Literatura , Política , Bandeirante , Nación , Literature , Politics , Bandeirante , Nation
Citação
COELHO, G. L. S. O bandeirante que caminha no tempo: apropriações do poema “Martim Cererê” e o pensamento político de Cassiano Ricardo. 2015. 346 f. Tese (Doutorado em História) - Universidade Federal de Goiás, Goiânia, 2015.