Corpos em movimento a partir do olhar de Pina Bausch – construindo modos de dançar
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2015-12-16
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Universidade Federal de Goiás
Resumo
This work is the result of a research project that was conducted by the Graduate
Program in Art and Visual Culture, master´s level, in FAV-UFG, and aimed to immerse
in the dance theater practice, through paths traced by the German choreographer Pina
Bausch, who was a guide in the development os this research and helped me to
answer personal questions, which the principal aim was to discover how our histories,
memories and feelings are represented in body. This research started with a watchful
eye in the dance history, as well as in the creative process of Pina Bausch to be able
to understand the method of creating images by the body and her representations
through cinema. Her unique movie “The Lament of the Empress” had an important
function in structuring the Project, since questions that were shared with two other
dancers in an immersive practive came from it, and led to the creation of a
documentary that dialogues with the videodance and brings through interviews, essays
and movements research a sample of a body-affective experience also shared with
students from the Federal Institute of Goiás. In a play between theories and reports I
sought the different perceptions of the body and dance, crisscrossing authors of visual
culture, movement researchers, theories of representation, documentary, which
merged with the reports of the meetings with dancers, ballet lessons, contemporary
dance and some workshops. The aim was to achieve tangible answers that unravel
the pathways of the body and image to find my dance through my body.
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Corpo , Imagem , Representação , Processo criativo , Documentário , Body , Image , Representation , Creative process , Documentary
Citação
ARAÚJO, P. S. G. Corpos em movimento a partir do olhar de Pina Bausch – construindo modos de dançar. 2015. 167 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.