O contrabaixo acústico na música popular brasileira: utilização de arranjos como ferramenta para ampliação do repertório e material didático
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2014-03-28
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Universidade Federal de Goiás
Resumo
This paper is the final product of the Master of Music course – Performance of Musical
Double Bass, Graduate School of Music of the Federal University of Goiás and is divided
into two parts. Part A: artistic production which includes two recitals with program related to
the developed research and there are also mandatory for the conclusion of the course, and
Part B: an scholar paper. The final recital has works that highlight chamber music and the
Double Bass, and integrates different instrumental combinations of solo works, with
emphasis on Brazilian popular music. The recital program is composed of arrangements that
addresses the performance of instrument genres such as Milonga, the Chacarera and
Chamamé, and other genres of Brazilian popular music like samba. The scientific article
deals with the use of arrangements for chamber music with bass in popular Brazilian works.
It presents alternatives for expanding the Brazilian popular chamber repertoire, through the
discussion of expressive/technical resources applied to bass arrangements for various
instrumental combinations. The main objective was to conduct a study on the use of
arrangements for chamber groups with bass, demonstrating possibilities for increasing the
repertoire and teaching materials. The methodological process was based on the literature
review of the performance of the instrument in genres of popular music, particularly jazz, as
well as chamber music and the main teaching methods used in the country. For that the use of
technical resources from these two musical universes was discussed, applied in works of
Brazilian popular music. The study sought to demonstrate that the use of arrangements of
Brazilian popular music for chamber groups can serve as an alternative to expanding the
repertoire and didactic material for teaching the instrument the bass.
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CARARO, G. O contrabaixo acústico na música popular brasileira: utilização de arranjos como ferramenta para ampliação do repertório e material didático. 2014. 80 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014.