Semelhança e figuração em linguagens da arte de Nelson Goodman
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2015-10-20
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Universidade Federal de Goiás
Resumo
On this work I will analyze part of Nelson Goodman's aesthetic theory and
his refutation of usual theory pictorial representation, or depiction, that are grounded
on resemblance relationship between symbols and its objects. In his theory Goodman
argues that resemblance taken as necessary and sufficient criterion to pictorial
naturalism or realism is doomed. We must adopt the very notion of pictorial representation
as a kind of denotation, part of semantic theories of reference and that works
approximately as verbal descriptions for objects. I will argue that resemblance is no
necessary and nor sufficient condition to guarantee a pictorial representation. The
structure of this thesis will use these three main points: (a) Goodman's criticism for
resemblance relationship as necessary and sufficient to pictorial realism or naturalism;
(b) the criticism to naïve depiction theories and its relational uses of (a); and (c) I
will analyze an idea of learning and symbolic construction for the resolution of (a) and
(b).
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OLIVEIRA, C. G. N. Semelhança e figuração em linguagens da arte de Nelson Goodman. 2015. 59 f. Dissertação (Mestrado em Filosofia) - Universidade Federal de Goiás, Goiânia, 2015.