Visibilidades e visualidades da velhice na fotografia contemporânea
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2016-09-05
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Universidade Federal de Goiás
Resumo
The objective of this research is to discuss the visibilities and visualities of old age, focusing
on contemporary artistic production and its consequences in photographic production,
specifically in the work Cette femme là (1984-1987) of the British photographer John Coplans
and A Self-Portrait (1983-1987) of the French Yves Trémorin. In understanding the concept of
visibility and visuality we can take into consideration that in a world increasingly filled with
images, they are not free or random, which provides a constant mediation between the viewer
and reality. This mediation with the symbolic domain leads to an instance in which the visual
exceeds a restricted barrier to physical / physiological domain of perception, building along
with the cognitive process a complex network in which the see and be seen are closely linked
in different instances the social context.
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SANTOS JÚNIOR, J. B. L. Visibilidades e visualidades da velhice na fotografia contemporânea. 2016. 143 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2016.