História em quadrinhos não ficcionais: usos e discursos
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2016-10-31
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Universidade Federal de Goiás
Resumo
The thesis Nonfiction comics: uses and discourses is the result of a qualitative research that
employs a set of interpretive activities. This work aims to discuss and analyze the choice of
discourse genre in nonfiction comics for the approaching of serious and real issues, and the
constructed meaning’s effect. The theoretical background is related to the French orientation
on Discourse Analysis focused on Pêcheux’s works (1990a; 1990b; 1999; 2006; 2009), taking
into account notions about meaning’s effect and production conditions. It is also taken
conceptions of historicization by Maldidier (2003); the concepts of theoretical and analytical
device of interpretation by Orlandi (2002). It is searched, to complement, the notion of
discourse genre according to Bakhtin (1997; 2003) and hypergenre in accordance with
Maingueneau (2010). For the comics theorization it is used Eisner’s works (2001, 2005),
focused on the concept of sequential art; Ramos (2007; 2009a; 2009b; 2011) and Franco
(2001; 2011; 2012), with contributions to the comics language. The thesis is built through a
network of real issues - politics, education, history -; everyday issues - which gives
uniqueness to the narrated fact - and the nonfiction comic discourse genre; united by the nodal
point of AD: the discourse. From the analysis of use and discourse, materialized in the
selected nonfiction comics, we find that the comics are a hypergenre, that fits a wide range of
texts and can be used for long periods of time and in many countries. The hypergenre comic
consists of nonfiction comic books, which are a discourse genre, a relatively stable type of
statement that is made by the centripetal forces that keep the regularities – the relation
between verbal and non-verbal; sequential art; fictional characters and issues; others - and the
centrifugal forces that enable the transformation, the change, the discontinuity in this
particular case, the possibility of approach the nonfictional thematic and characters. The
analysis show that the nonfiction comics discourse genre, when adding verbal and non-verbal
language, at first, helps the interlocutors to understand, in a didactic way, the meaning’s effect
due to faster and more effective reading. However, we find that there is the emergence of
issues that involve the use of nonfiction comics, such as the resistance and the culture of
status perceptible during the analysis of ideological, imaginary and discursive formations,
which allow the construction of a fluid and heterogeneous thesis.
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TAVARES M. B. História em quadrinhos não ficcionais: usos e discursos. 2016. 208 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2016.