Sonoridades do cenário brasileiro pós-moderno e sonoridades tropicalistas: suas relações, diversidade, tempo múltiplo e processos identitários
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2017-05-29
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Universidade Federal de Goiás
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This work aimed to investigate the musical and historical / cultural processes related to the sound diversity present in the production of some musicians who have performed in the last decade of the XX century and in the early decades of the XXI century - consolidated postmodern scenario, aiming to establish musical relations, temporal and cultural relations between this production and the production of musicians that integrated the Tropicália - late years of the 1960s / early 1970s. The accentuated musical diversity presented in six songs studied - four songs circumscribed to the consolidated postmodern scene and two from the Tropicália era -, although inherent in two time cuts, has a character of agglutination, evidences a dialogue between diverse cultural elements, a conviviality of elements of the tradition with global elements, which refers to the concept of hybridism proposed by Canclini and Burke. However, it was also evidenced that the cultural diversity cultivated also had to do with the interaction of songs with Latin America, which made them present a peculiar hybrid differential in relation to the postmodern scenario, a significant cultivation of miscegenation and tradition, rather than just intercultural dialogue and historical quotation. Thus, similarities and differences established between accentuated hybrid processes related to songs from two cuts of different times, led to the perception of contemporary songs characterized by their inherent to consolidated postmodernity and tropicalist songs that, inherentat a very early moment of postmodernity, have not failed to highlight the possibilities posed by the "latency of future time" inherent in the dynamics of "multiple time" that permeates the socio-historical and cultural plot and everything that integrates it, according to Castoriadis and Freire.
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TEIXEIRA, Davi Ebenezer Ribeiro da Costa. Sonoridades do cenário brasileiro pós-moderno e sonoridades tropicalistas: suas relações, diversidade, tempo múltiplo e processos identitários. 2017. 201 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2017.