Foi isso que ela disse: ensaísmo e estilo autoral em Jogo de Cena de Eduardo Coutinho
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2017-07-12
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Universidade Federal de Goiás
Resumo
This research proposes a reflection on the relationship between the documentary and the essay
film in the film Jogo de Cena (2007) by Brazilian documentary filmmaker Eduardo Coutinho.
It is investigated if there is a tension between the analyzed domains in the analyzed film. From
this question I seek to understand how the technical and aesthetic choices that constitute
Coutinho's style assume essayistic contours in the research object. In order to answer the
research question, I aim to understand how Coutinho 's cinematographic style is characterized
and constituted; to understand how Jogo de Cena (2007) plays in the tradition of the
documentary and to understand how the essay film was constituted and how it can be identified
in the cinema. Methodologically, a proposal for the analysis of documents by Francisco
Elinaldo Teixeira was adopted in three moments: 1. Inventory of composition materials; 2.
Inventory of compositional modes; 3. Reflection on narrative modes and camera functions.
Through the analysis it is indicated how it is possible to recognize essayistic strategies in Jogo
de Cena (2007) as: the voice of essay tone, the dialectic of materials, the montage between
word and image, the heterogeneity of the composition materials, second reading order. Thus, it
is concluded that the film studied even belonging to the documentary domain presents a strong
essayistic inflexion.
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OLIVEIRA, João Daniell Ferreira de. Foi isso que ela disse: ensaísmo e estilo autoral em Jogo de Cena de Eduardo Coutinho. 2017. 81 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2017.