Inovação e tradição nas baixarias do choro de Rogério Caetano: pós-modernidade e diálogo com Dino Sete Cordas e Raphael Rabello
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2017-12-19
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Universidade Federal de Goiás
Resumo
This research had as scope to investigate the peculiarities of the elaboration and execution of the
baixaria (bass lines) of seven-string guitar in the interpretation of the Choro by Rogério Caetano,
aiming to identify how it interacted with the marked diversity that characterizes postmodernity and
with the elements of the tradition, here represented by the work of Dino Sete Cordas and Raphael
Rabelo, and, in this context, the innovations that he brought to the history of the genre in Brazil.
Three works by Rogério Caetano – Amigos, Um chorinho em Cochabamba and Rogerinho no sete
– as well as three recordings of the music Noites Cariocas – composed by Jacob do Bandolim –
interpreted, respectively, by Rogério Caetano, Dino Sete Cordas, and Raphael Rabello, were
selected for analysis, interpretation, and comparison. The methodological trajectory prioritized:
bibliographical survey; documentary survey (musical scores); exploration of oral sources (semi-
structured interviews), auditory and audio-visual sources; investment in the transcription of
baixarias of choro music carried out by the researcher; analysis, interpretation and comparison of
the baixarias performed by each of the three mentioned musicians. Finally, it was possible to
consider that Rogério Caetano, despite all the mastery of the traditional elements (in the context of
the baixaria of Choro), represented here by the work of Dino Sete Cordas and Raphael Rabello,
used a lot of melodic material from other musical genres like the jazz, the blues, Latin American
music, evidencing that it brought great innovations to the choro genre. We state that this musician
achieved this when he established profound dialogues with the diversity characteristic of the
postmodern scenario with which he interacted. In what it concerns to the seven-string guitar
universe, still having in sight the other two mentioned musicians, he showed that he is able to
represent a third school of the seven-string guitar in Brazil.
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Citação
SILVA NETO, João Fernandes da. Inovação e tradição nas baixarias do choro de Rogério Caetano: pós-modernidade e diálogo com Dino Sete Cordas e Raphael Rabello. 2017. 207 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2017.