Visões Caixa de Pandora: fricções entre artista, instituição e público
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2018-04-23
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Universidade Federal de Goiás
Resumo
The field of this research is the experimental exhibition "Eu Como Você",
signed by Grupo EmpreZa, an artistic collective that I’m member. This
exhibition took place at Museu de Arte do Rio (MAR), from May to July 2014.
The artistic work project has been extended to participate in the Calibán
Psychoanalysis Symposium, in November 2014 and October 2015. The
emphasis of Grupo EmpreZa's work is on performance art, the body and its
limits. The main questions of this research are: How aesthetic experiences like
this behave in the museum exhibition space? What are the possible
connections between individuals and aesthetic experiences? To answer these
questions, I chose to analyze the relationships between people, the public,
images, visual and aesthetic experiences, as well as the way Grupo EmpreZa
and the institutions have worked along that time. For analysis, the documents
collected include videos, photographs, official and administrative documents,
and interviews. This study is based on some phenomenological concepts. It
emphasizes the experimental character of the exhibition and the problems
with the exhibition space, as well as the relations between people and
aesthetic experience, images and visualities in exhibition. The term "Pandora's
Box" is a reference to the prevalence of a permanent sensation of risk in the
exhibition space, considering the nature of the visual experiences, the
experimental character of the exhibition, against the hegemonic normative
sets of the art system, and the relations of power in contemporary society.
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MORAIS, Paul Cezanne Souza Cardoso de. Visões Caixa de Pandora: fricções entre artista, instituição e público. 2018. 252 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2018.