Cinema e cultura midiática: a pequena loja de suicídios - representações em torno do mal-estar na modernidade líquida
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2018-05-30
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Universidade Federal de Goiás
Resumo
This study seeks to analyse the association between the animation film and the
malaise in the liquid modern society, an historical period formed by changes in
communications, interpersonal relationships, people and nation identities, in global
integration, in the presence of international capital and its interference in local and
national issues, and its consequences on the human individuality and its social
behavior. The cinema, as a representation of reality, is not oblivious to this
phenomenon of modernity. So, from the film analysis of the movie The Suicide Shop,
this research seeks to draw which elements of this malaise are evident in the movie
and how the animation film plays these questions. From this point on, it will be
possible to see what is the contribution this movie genre gives to the debate about
the malaise in the liquid modern society. The emplyed methodology is the film
analysis, supported by a deep theorical research on concepts of disenchantment,
liquid modernity, identity and animation movies. The result of it was an analysis which
revealed a storng relationship from The Suicide Shop approaches on suicide and the
malaise in the liquid modern society to the sociological concepts of these issues. The
animation cinema was able to represent the occidental culture hit by the
disenchantment of the liquid modern society in such a strong way to set itself as a
great communication and identification link between art and society.
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SARQUES, B. A. P. Cinema e cultura midiática: a pequena loja de suicídios - representações em torno do mal-estar na modernidade líquida. 2018. 157 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2018.