Cinema, narrativas e imaginário: a reinterpretação do conto de fada em Star wars: o despertar da força (2015) e Star wars: os últimos Jedi (2017)
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Data
2019-02-28
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Universidade Federal de Goiás
Resumo
This dissertation’s main approach consists in the reinterpretation of narratives in contemporary film, particularly those associated with fairytales. Contradictions and excesses
are defining characteristics of contemporary times, and they’re reflected in our cultural
products, especially in fiction. The starting point of this research consists in The Force
Awakens (2015) and The Last Jedi (2017), respectively, seventh and eighth episodes of Star
Wars franchise; from them, we investigate the presence of classic narrative elements within
film language and their subsequent reinterpretation in contemporary media culture.
Theoretically, the work is supported by three thematic axes in continuous dialogue, namely
‘Communication, media and culture’, ‘Film in contemporary media culture’ and ‘Narrative and
fairytale’. Therefore, the dissertation’s object of analysis is studied from a cultural and
communicational perspective, with major support from Culturological Theory according to
Morin (2011, 2018) and from film studies according to Lipovetsky and Serroy (2009, 2011,
2015). For analysis purposes, the morphological study of the fairytale (PROPP, 1968, 2002)
followed by film analysis (VANOYE; GOLIOT-LÉTÉ, 2012) are used, both methods which, in
tandem, encompass the corpus, the selected authors and the research’s central question.
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Cinema , Narrativa , Imaginário , Conto de fada , Star wars , Film , Narrative , Imaginary , Fairytale
Citação
SILVA, Dayane Costa Oliveira da. Cinema, narrativas e imaginário: a reinterpretação do conto de fada em Star wars: o despertar da força (2015) e Star wars: os últimos Jedi (2017). 2019. 119 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2019.