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Item type: Item , O zine como ponto de partida: experimentações e processos de criação(Universidade Federal de Goiás, 2026-03-06) Malveira, Ícaro Lênin Maia; Andraus, Gazy; http://lattes.cnpq.br/0256950026952623; Franco, Edgar Silveira; http://lattes.cnpq.br/8415486629956081; Franco, Edgar Silveira; http://lattes.cnpq.br/8415486629956081; Oliveira Filho, João Vilnei de; http://lattes.cnpq.br/7212307806105123; Souto, Léo Pimentel; http://lattes.cnpq.br/6650471727735222; Oliveira, Flávio Gomes de; http://lattes.cnpq.br/6251395246014220; Chaves, Gabriel Lyra; http://lattes.cnpq.br/9038793113607193This work, which starts with the zine, assumes movement from the start. If the point is singular, however, the processes are multiple. The investigation proposed here revolves around the zine as a catalyst for creative processes, considering the reutilization of different forms and materials. Therefore, it is by focusing on the procedural aspects—the foundation that constitutes and structures this work—of experimental approaches to fanzine materiality that this proposal fits into the context of creation and the arts. Following the processes and stages of my postgraduate education, the research revolves around practices, activities, and modes of creation around which debates are centered, including the definition of fanzines, the emergence of poetics in my trajectory as a fanzine maker, researcher, and creator, to the development of a critical-reflective analysis of works produced during a period of training that begins with my master’s degree and extends through my doctoral studies. How far can zines go, given their experimental nature? This question, in seeking an answer, involves different movements in which the paper zine undergoes a diverse material reinvention and takes leaps toward various artistic languages: screen printing, video games, artist’s books, and comic books. This is a qualitative, exploratory art research project that draws on methodological principles from cartography, art-based research, and autoethnography, but without being bound by the assumptions of any specific method. Given the process-oriented nature of the research, the questions, objectives, and paradigmatic approaches to creating and thinking about art and fanzine practice emerge along the way. To ground and inform the discussion, authors from various fields are referenced, including: Poletti (2008), Meireles (2010), Magalhães (1993), Bachelard (1998), Oliveira Filho (2016), Souto (2021), Mendonça (2018), Derdyk (2013), Foucault (1985), Zavam (2006), Krauss (1984), Thomas (2009), Saul and Stuckey (2007), Groensteen (2015), Oliveria Junior (2021), among others.Item type: Item , Corpomontagem: intimidades cênico-visuais de um corpo autofabulado(Universidade Federal de Goiás, 2026-02-24) Martins, Yuri Silva; Rodrigues, Manoela dos Anjos Afonso; http://lattes.cnpq.br/7111235725963338; Rodrigues, Manoela dos Anjos Afonso; http://lattes.cnpq.br/7111235725963338; Miola, Gabriela Canale; http://lattes.cnpq.br/7139310622652380; Silva, Odinaldo da Costa; http://lattes.cnpq.br/8837262003405158The research I present, through the words and images of this dissertation, proposes an exploration of the term “bodymontage” (corpomontagem), coined by me and understood as a multimedia scenic-visual space that enables the experimentation of assembling, reassembling, and disassembling my body, addressing it toward fabulation and resulting in countervisualities. Grounded in the approach of Art Research and anchored in Autobiographical Research in Art, the investigation draws on my own artistic practices of photoperformance and digital montage, moving between visual and scenic environments, as well as intimate and collective spaces. Drawing on studies of critical fabulation, this research examines how images constructed through scenic-visual montage processes perform affects, desires, traumas, and fragilities of a body that (re)invents itself through its own (re)assembly. Organized into three chapters, this dissertation follows these paths: the first conceptualizes body-montage; the second engages debates on self-representation, self-portraiture, and autofabulation; and the third analyzes selected works produced by me throughout my trajectory in the Graduate Program in Art and Visual Culture (PPGACV/FAV/UFG), Research Line B: Artistic Poetics and Creative Processes. Combining performative writing, poems, feelings, and an autobiographical practice, this dissertation explores noise, anchors itself in investigations of assembling and disassembling, and finds in fabulation a pathway for constructing other narratives of existence and resistance.Item type: Item , Violência institucional agrária: o Estado e os massacres no Arco do Desmatamento (1985-2019)(Universidade Federal de Goiás, 2026-02-23) Silva, Karla Karoline Rodrigues; Maia, Cláudio Lopes; http://lattes.cnpq.br/9378173702157899; Rosero, Álvaro Mauricio Chamorro; http://lattes.cnpq.br/1233590997036395; Rosero, Álvaro Mauricio Chamorro; http://lattes.cnpq.br/1233590997036395; Tárrega, Maria Cristina Vidotte Blanco; http://lattes.cnpq.br/3710736362842934; Siqueira, José do Carmo Alves; http://lattes.cnpq.br/2363520289946658; Loureiro, Sílvia Maria da Silveira; http://lattes.cnpq.br/3190742871018847; Dadico, Claudia Maria; http://lattes.cnpq.br/6320696529280608This thesis investigates agrarian institutional violence manifested in massacres occurring in land conflicts in Brazil between 1985 and 2019, with a spatial focus on the Arc of Deforestation region. The study is based on the premise that the Brazilian countryside is marked by a structural conflict between two antagonistic logics of land appropriation: the peasant expansion front, which defends land as a space for life and work, and the capitalist pioneer front, which conceives it as a commodity and financial asset. The research justification lies in the need to demonstrate that violence in the countryside is also promoted by the state apparatus itself, which acts not as a mediator, but as a central agent in the dynamics of expropriation. The research problem is: in what way did the State act in the massacres occurring in agrarian conflicts between 1985 and 2019, with an emphasis on the Arc of Deforestation region? The general objective is to analyze the State's performance regarding the massacres in agrarian conflicts during this period. The specific objectives are: 1) to understand the historical-social structures of agrarian conflicts and their main subjects; 2) to examine the State's performance in its direct and indirect dimensions; 3) to analyze the geographic concentration of massacres in the Arc of Deforestation; and 4) to evaluate the effects of agrarian institutional violence. The methodology adopts the inductive method, based on the empirical analysis of 50 massacres cataloged by the Pastoral Land Commission (CPT). The theoretical framework articulates the theory of frontiers (Martins), accumulation by dispossession (Harvey), and the concept of expulsions (Sassen) with Gramsci’s category of the Extended State, demonstrating how coercion (political society) and consensus (civil society) operate together. The thesis concludes that massacres are the most brutal expression of agrarian institutional violence, a mechanism mediated by the Extended State to ensure the hegemony of agribusiness. This violence has a double face: direct action, materialized by the state coercive apparatus (executing 18% of massacres), and strategic omission, which allowed gunmen to execute 66% of the cases. The overlap of 43 out of 50 massacres with the Arc of Deforestation provides empirical proof that extreme violence is an instrument of economic frontier expansion. The primary structural effects are the consolidation of the latifúndio, the demobilization of land reform struggles, the criminalization of social movements, and systemic impunity. Brazil's convictions in the Inter-American Court of Human Rights externally validate this thesis, which argues that overcoming this cycle requires structural reforms to dismantle the institutional violence that perpetuates massacres in the Brazilian countryside.Item type: Item , A mulher na produção de podcasts educacionais: pesquisa-ação com a rádio UEG Educativa(Universidade Federal de Goiás, 2026-03-27) Pasa, Mikaela Esber; Cassiano, Katia Kelvis; http://lattes.cnpq.br/1461975180324090; Cassiano, Katia Kelvis; Agnez, Luciane Fassarella; Oliveira, Thaís RodriguesThis research aims to analyze women as producers of educational podcasts. The methodology adopted is of a qualitative-quantitative nature, structured through the triangulation of methods. The first method consists of a bibliographic analysis (Lakatos; Marconi, 2002) on the podcast format, the media that influenced it—such as radio—the role of university radio stations as tools of public communication, and, finally, the role of women as science communicators in Brazil. In the second stage, which has a more quantitative character, an audio-structural analysis (AAP) (Pinheiro; Mustafá; Silva, 2021) was conducted on four podcasts produced and distributed by Rádio UEG Educativa. These podcasts share a common element: all were produced by women with an educational purpose. A general analysis of the programs was carried out, as well as an examination of the five most listened-to episodes of each podcast, based on data obtained from the Spotify Creators platform. Finally, the third method used was action research (Engel, 2000), which applied the knowledge produced in the previous stages to the development of a product: the podcast De Coras a Carolinas (Rádio UEG Educativa). Its production was followed from conception to distribution, and an audio-structural analysis of the ten published episodes was also conducted. This made it possible to identify recurring factors in the other analyzed podcasts, such as the presence of predominantly female teams, convergent themes, and similar formats. Thus, it was possible to analyze women as podcast producers both through a bibliographic survey and through an empirical scope composed of five podcasts produced within an educational context.Item type: Item , Potencial de Metarhizium humberi no controle biológico de Aedes albopictus(Universidade Federal de Goiás, 2026-02-23) Tavares, Hudson Ygor Santos; Rodrigues Filho, Juscelino; http://lattes.cnpq.br/7721100359125364; Rodrigues Filho, Juscelino; Rocha, Luiz Fernando Nunes; Feres, Valeria Christina de RezendeEmbargo