Doutorado em Antropologia Social (FCS)
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Navegando Doutorado em Antropologia Social (FCS) por Por Orientador "Wichers, Camila Azevedo de Moraes"
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Item Sob a ótica das misturas caleidoscópicas: as narrativas em torno da ocupação histórica dos Kayapó meridionais no sul de Goiás(Universidade Federal de Goiás, 2021-11-13) Junqueira, Gabriela Gonçalves; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Nunes, Eduardo Soares; Dornelles, Soraia Sales; Cândido, Manuelina Maria Duarte; Rodrigue, Robson AntônioDuring the XVIII and XIX centuries, the area known today as the Southern Goiás was the stage of conviviality and the numerous contact strategies with alterity. This area has been an historic territory of Kayapó occupation described by historiography narrative as “gentile Cayapó”. The present work aims to analyze the anthropological, historical and archeological narratives, especially those narra-tives from two major archeological projects of Goiás - the Anhanguera project and the archeological project of Goiás – in order to comprehend the ways in which those indigenous people are figuring in those narratives. Departing from historical, archeological and anthropological facts, we aim to revise rigid and monolithic models that were privileged by interpretations of those populations. The inter-disciplinary, intercultural and interepistemic dialogue (BANIWA, 2019), privileging the native's cat-egories, offer other possible perspectives and interpretations to indigenous history, valuing the con-scious actions of those historical subjects. Departing from the ethnographic projection, the theoreti-cal methodological framework of the present thesis, the objective is to trace parallels between South-ern Kayapó documentation descriptions and the ethnographies of the Jê populations to achieve better comprehension of some of their practices and symbolism impregnated in their actions. In addition to practices, some interpretative models employed to understand the contacts of those populations with the exterior world are discussed. The concept of mixture (NUNES, 2010), intended as a native frame-work for interaction with alterity, in addition to the varying possibilities derived from the image of a kaleidoscope, inspire the proposal of a new interpretative framework named as Kaleidoscopic Mix-tures. Considering the multiples relations with the exterior world those indigenous people would be capable to incorporate and acquire alternate possible perspectives – non-kayapó-human and non-human – and conscious activate according to practical or contingency necessities, a cycle not based on repetition, but in alternation, focusing anti-hybridity. The proposal will function as a new inter-pretative framework of historical and archeological narratives and documentations in order to build a reflexive and anthropological comprehension of those people, suggesting new concepts and inter-pretations that will act as mediators in the comprehension of past cultural multiplicity and dynamics of those indigenous people.Item O que é que tem de realmente importante lá em Chapada dos Negros, além da cicatriz? Processos de enquadramento do patrimônio, estereotipagem e silenciamento de memórias em Arraias-TO(Universidade Federal de Goiás, 2022-07-29) Nolasco, Genilson Rosa Severino; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Magnani, José Guilherme Cantor; Silva, Cleube Alves da; Cândido, Manuelina Maria Duarte; Hirano, Luis Felipe KojimaThis thesis is the result of research carried out in Arraias, a city located in the southeast region of Tocantins. Its base goal was to understand how the people of Arraias have appropriated the physical traits (FERRAZ, 1997) associated with the colonial past and the enslavement of black people, regarding special attention to the Chapada dos Negros’ ruins. I sought to understand not only the heritage assets, the Chapada dos Negros’ ruins, but mainly how things become or have become heritage in that locality, at the same time that I problematized the limits of heritage public policies. Therefore, the investigative approach was developed through two movements, as Pollack (1989) suggests. Firstly, a “from top to the bottom” movement involving an ethnography of the State’s heritage process and its agents. Second movement was the “from the bottom to the top” view, in which I’ve looked for the subjects’ ethnography, their point of view and enunciation places.