A crítica da ideologia no cinema brasileiro: desengano, pragmatismo, cinismo
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2010-03-29
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Universidade Federal de Goiás
Resumo
In the 1960 s, the New Brazilian Cinema questioned the import of the production model of the classic narrative movies. The rejection of the classical conventions accompanied the
statement of an ideological fight against the status quo. In relationship with the nationalist left, the films thought about the critical intervention in the society. When begin the military
government (1964), against the expectations of the left, the aesthetic-political project of the New Cinema have a decisive reversion. This moment is a cause of the 'disappointment films'. They revised the purposes and the difficulty of a criticism of the ideology: the conservative modernization would found the late capitalism in the Brazilian society. This work analyzes two films of the recent Brazilian cinema, O Príncipe (Ugo Giorgetti, 2002) and Cronicamente Inviável (Sérgio Bianchi, 1999), and relate them to the moment of the 'disappointment'. Reflecting the present conditions of the Brazilian social experience, the two films expose the criticism of the ideology in face of new problems: the exhausting control of the cultural industry and the cynicism of the contemporary ideology. The films discourse about the
transformation of the criticism of the ideology in the Brazilian movies between the 1960's and the recent decades. Step by step, the rejection of the dominant conventions, affirmed by the New Cinema, find new conditions in the analysis of each one of the films
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OLIVEIRA, Rodrigo Cássio. The critique of ideology in Brazilian cinema: disillusion
pragmatism, cynicism. 2010. 198 f. Dissertação (Mestrado em Ciências Sociais Aplicadas) - Universidade Federal de Goiás, Goiânia, 2010.