A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper
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Data
2014-03-28
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Universidade Federal de Goiás
Resumo
This aim of this paper is to study and apply gestures in the interpretation of the
symphonic work Psalmus, by João Guilherme Ripper. Zagonel (1992) and Heller (2006), were
the references used in defining gesture. To define interpretation, the author consulted
Laboissiére (2007), Lima (2006) and Schuller (1997), and for the definition of style and
conducting, the author makes reference to Schuller (1997) and Swarowsky (1989). Once the
definitions were established, the next step was to choose a representative contemporary work,
in this case, the symphonic piece Psalmus (2002), by João Guilherme Ripper, from the Brazilian
symphonic literature. The choice of this work was based on the following criteria: it is a
contemporary Brazilian 21st Century piece, and while it presents technical and interpretation
challenges to the conductor, it is not excessively complex for young musicians. This piece was
played by the Orquestra Sinfônica Jovem de Goiás, rehearsed and conducted by the author of
this paper. The data collected by this survey were approached and discussed with a view to their
qualitative aspects. Musical elements are employed as guide to this study. For that purpose,
rehearsals were recorded and the resulting video and audio focused on the conductor. Results
point to the challenge of conciliating the conductor’s gestures, as a means to establish and
maintain the beat while, at the same time, bringing the work to life. Additionally, an analysis
of the results indicates that since this is a contemporary Brazilian work, it also presents a
challenge to conducting students and these difficulties must be approached throughout their
training.
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Citação
ARAÚJO, K. S. A escolha do gestual e suas implicações interpretativas aplicadas à regência da obra Psalmus, de João Guilherme Ripper. 2014. 98 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2014.