MA - Museu Antropológico
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Navegando MA - Museu Antropológico por Autor "Baptista, Jean Tiago"
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Item Carta das missões documento da Rede dos Pontos de Memória e Iniciativas Comunitárias em Memória e Museologia Social do Rio Grande do Sul (Repim-RS)(2014) Silva, Cláudia Feijó da; Vivian, Diego Luiz; Baptista, Jean Tiago; Almeida, Luciane de Oliveira; Boita, Tony Willian; Goulart, Treyce Ellen SilvaItem Museologia comunitária, comunidades LGBT e direitos humanos: estratégias de superação de fobias à diversidade sexual no Brasil(2017) Baptista, Jean Tiago; Boita, Tony WillianThis article proposes an interdisciplinary approach based on the relation between Human Rights and the Community Museology. For this purpose, it values the right of memory such as the strategy to overcome the social phobias that weights on the population of lesbians, bisexuals, gays and transgender people (LBGT). Supposedly, it is considered the guarantee of the right to memory of LGBT people traverses the safeguard and the development of their trajectories in patrimonial and museum’s actions, collaborating with this the overcome of phobias to the sexual diversity. The purpose is to discuss the absence and the invisibility of the LGBT question in the memory spaces, the museum’s processes, the registration’s policy and the tipping over, proposing the options for the exclusion by discussing the right of violation of the memory and in this way the Human Rights in the museum’s processes. Thus, to understand how the museology and the museums use and are used by the political strategies to exclude, manipulate and select the “memory of the different formative groups of Brazilian society”, according in the article 216 of the Brazilian Constitution of 1988. Finally, it is intended to consider the limits and the possibilities related to the pillars of the human rights and the strategies adopted by the Community Museology in favor of the right to the memory of the LGBT communities.Item Museologia e comunidades LGBT: mapeamento de ações de superação das fobias à diversidade em museus e iniciativas comunitárias do globo(2017) Baptista, Jean Tiago; Boita, Tony WillianThis study seeks an overall view of the memory of the LGBT community (lesbian, gay, bisexual, transgender) in museums and community initiatives, the project LGBT memory mapping and analyzes the main existing shares in Europe, the Americas, Africa, Asia and Oceania. Through technical visits, interviews, non-directive (attendance or virtual), the magazine LGBT Memory publications, bibliographical researches and queries to official sites, mapping aims to indicate the limits and possibilities that are presented to museological field by including a minority present in every continent but still forgotten. This museological invisibility, favors forgetfulness and consequently strengthens phobias of sexual orientation and gender identity. By analyzing the preservation techniques, the exhibition content of each mapped proposal and its absence in large territories, looking to indicate strategies found in building a global LGBT memory, questioning, therefore, the democratization of memory and manifest content in museums, community initiatives or museological policies interested in winning civil rights and overcoming phobias to sexual / emotional diversity.Item Por uma primavera nos museus LGBT: entre muros, vergonhas nacionais e sonhos de um novo país(2018) Baptista, Jean Tiago; Boita, Tony WillianItem Protagonismo LGBT e museologia social: uma abordagem afirmativa aplicada à identidade de gênero(2014) Baptista, Jean Tiago; Boita, Tony WillianStarting from issues raised with the death of Giuseppe Campuzano, founder of the Transvestite Museum of Peru, the present study problematizes the absence of a museological debate museológico about the LGBT (lesbians, gays, bisexuals and transsexual s) question. With that purpose, it lists some museological experiences dedicated to the theme of gender identity in the West, Latin America and Brazil. The objective is to synthetize museal themes and experiences with an interest in overcoming the extermination of the LGBT population and its invisibility. Based on these facts, the intention is to characterize a museology in which LGBT protagonism may contribute to the democratizing process undertaken by Social Museology