Mestrado em Performances Culturais (FCS)
URI Permanente para esta coleção
Navegar
Navegando Mestrado em Performances Culturais (FCS) por Por tipo de Acesso "Attribution-NonCommercial-NoDerivs 3.0 Brazil"
Agora exibindo 1 - 7 de 7
Resultados por página
Opções de Ordenação
Item Performance dos digital influencers no Instagram: um estudo sobre identidade e persona(Universidade Federal de Goiás, 2020-04-24) Andrade, Marcilene Barbosa de; Oliveira, Rodrigo Cássio; http://lattes.cnpq.br/0545897116631093; Santos, Nádia Maria Weber; http://lattes.cnpq.br/3929583037339642; Santos, Nádia Maria Weber; Oliveira, Rodrigo Cássio; Moraes, Ana Luíza Coiro; Faria, Edna Silva; Satler, Lara LimaThis research analyzes how digital influencers share their daily experiences and interact with their followers through the Instagram platform. The objective of the research is to understand the performances of digital influencers, from the roles they play, in order to increase the number of followers. For this, Lalá Noleto and Jan Mendanha were chosen as the object of research, both digital influencers that stand out on Instagram. As a theoretical basis, this research is supported by the studies of Erving Goffman (2014), Raquel Recuero (2009) and Paula Sibilia (2016) and in some dissertations and theses that deal with social networks and digital influencers. In this study, the notion of the persona is discussed on the Instagram platform under the eyes of the Swiss psychiatrist Carl Gustav Jung. In addition, it seeks to understand the pertinence of the construction of the persona through the creation of content and interaction promoted by digital influencers, which become fundamental for the consolidation of the new digital marketing format. The research also brings a qualitative approach. As a methodological procedure for data collection it was made observations based on interviews conducted with two digital influencers and selection of images and comments displayed on their Instagram accounts.Item Memória e práticas tradicionais na Folia de Reis de Uruceres-GO(Universidade Federal de Goiás, 2020-06-25) Bitencourt, Rosana de Freitas Mesquita; Correa Júnior, Sebastião Rios; http://lattes.cnpq.br/7078983629857043; Corrêa Júnior, Sebastião Rios; Oliveira, Vânia Dolores Estevam de; Pessoa, Jadir de MoraisThe present work focuses on analyzing the process of transmitting the cultural traditions of the Folia de Reis de Uruceres - GO, how the current revelers learned and how they pass on knowledge about the ritual of the Reis revelry, both with regard to the organization of the party about the ritual moments themselves, the route, their songs, their symbols and their importance to the group. More specifically, it is a study of memory: individual memory of the participants in the festivities and collective memory of the Folia group.Item Apareceu o Margarida: liminaridades e masculinidades no futebol(Universidade Federal de Goiás, 2020-02-12) Gomes Júnior, Lázaro Moreira; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Reinato, Eduardo José; Lima Neto, Djalma Rodrigues; Santos, Rafael Guarato dos; Lima, Ricardo Barbosa deThe work that follows sought to carry out a dialogue between soccer, a present and constituent sport in Brazilian society and culture, with studies of performance and gender. We had as starting point two professional soccer referees who acted between the decade of 1980 and 1990 of the twentieth century. Jorge José Emiliano dos Santos, an assumed homosexual and Clésio Moreira dos Santos, a heterosexual who created a gay character, to act as referee. The study sought to analyze soccer as a ritual, through the concepts developed by Victor Turner and Richard Schecnher, strained by the masculinities construction process within a misogynist and homophobic society based on heteronormativity.Item O lado surpreendente da queda: minha experiência com o contato improvisação(Universidade Federal de Goiás, 2020-02-17) Itavo, Camila Vinhas; Abdala Junior, Roberto; http://lattes.cnpq.br/7014946989727038; Vilela, Ana Lucia; Reinato, Eduardo José; Camargo, Robson Corrêa de; Abdala Junior, RobertoContact Improvisation is analyzed from the perspective of cultural performances as a unique form of contemporary dance that emphasizes the surprising side of falling, inspired in the words of writer, anthropologist and dancer Cynthia Jean Novack (1947-1996) for whom contact improvisation “emphasizes the wildness and awkwardness of falling ”(NOVACK, 1990, p.151). The ethnographic description of this dance and its dialogical essence are presented as forms of social self-reflexivity, through the narrative, in a funneling movement of participant observation, from macro to microcosm, starting from what is given in the world to the person who writes this analysis, in search for the understanding of the relationship between the experiences provided by this performance and the multiplicity of meanings that refer to it that make it cultural performances. From what is given in the world, two testimonies available online in audiovisuals with the creator of this performance (1972), Steve Paxton, one from Juniata College, USA, in the 36th anniversary of contact improvisation, and another from the Dancing Museum, France. These two narratives are taken as sources of the ethnographic description which highlight essential performance characteristics and motivational issues which generated this dance movement. In the second chapter, the narratives which underpin the funneling of the ethnographic description are some of the writings of Steve Paxton, published by Contact Quarterly’s Contact Improvisation Sourcebook (1997), a special historical collection of this dance journal launched in 1975 as a space for reflection, debate and circulation of movement studies and experiences resulting from the performance. Along with these writings, aspects of the history of contact improvisation and the Small Dance, presented as a preparation technique for the movement, as the warming up of the perception for the dance of contact improvisation. The third chapter presents the contact improvisation class as a performance and focuses on participant observation, including my experience as a dancer, contactor, dance and contact improvisation teacher as an object of reflection on the performance load of possible transformation and transportation (Schechner, 2011) available in the classroom and at the jam sessions.Item A performance negra de Victoria Santa Cruz e suas reverberações na construção de escrevivências e feminismos negros(Universidade Federal de Goiás, 2020-02-12) Jesus, Rafaela Francisco de; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Silva, Renata de Lima; http://lattes.cnpq.br/9684039080990993; Silva, Renata de Lima; Araújo, Rosângela Janja; Dias, Luciene de OliveiraLa performance de la artista afroperuana Victoria Santa Cruz se discute en este estudio desde del mirar de una artista de danza comprometida con una perspectiva negra y feminista. Por lo tanto, la noción de escritura, desarrollada por la escritora brasileña Conceição Evaristo, se utiliza como un estímulo por el cual la escritura se vive y baila, pasando por los problemas inherentes al cuerpo de las mujeres negras en su acto de (r) existencia. Además de discutir la trayectoria y producción de Victoria Santa Cruz como una actuación negra, problematizando este concepto, tenemos la intención de desarrollar diálogos con mujeres negras sobre Victoria Santa Cruz, utilizando el lenguaje de la letra y la danza en sí misma como un recurso discursivo y poético. Por lo tanto, alimentándose de una escritura que busca la representatividad femenina y negra permitida por la escritura, se desarrolla una red de significados y afectos al rededor de la actuación negra de Victoria Santa Cruz y su pensamiento filosófico que hizo una importante contribución del teatro y Bailes negros en el Perú. Victoria Santa Cruz está presente en este estudio como un pilar ancestral y filosófico, cuyo tiempo es el destino y el punto de partida para la creación de cartas escritas.Item Gordon Craig e Le Corbusier. O símbolo, o vazio e o espaço em performance(Universidade Federal de Goiás, 2020-06-16) Santos, Luis Guilherme Barbosa dos; Camargo, Robson Corrêa de; http://lattes.cnpq.br/9964594962008164; Camargo, Robson Corrêa de; Silva Filho, Almir Ribeiro da; Cintra, Wagner Francisco AraújoThis work is the result of a research and analysis of life paths, artistic construction and experiences in theatre and architecture by Edward Gordon Craig (1872 - 1966), actor, director, designer, printmaker, costume designer and British set designer and architect, draftsman, French-Swiss painter and sculptor Charles-Edouard Jeanneret-Gris (1887 - 1965), known as Le Corbusier. It comprises a reading about the transformation of the theatrical and architectural space, based on the consequences of the social and cultural transformations of their times, with the observation of personal and professional particularities that have shown them as symbols in modern staging and architecture. Gordon Craig, for the rupture he built in front of the realistic and naturalistic theatre, constituted a new thought for the staging and for the modern theatre. Le Corbusier was guided artistically and technically, by the social, cultural and industrial changes that took place after the First and Second World War in Europe, in face of the machinations of the architectural production of that time. I discuss their new proposals to new spatialities in staging and architecture, based on the observation and analysis of some aspects that relate architecture to theatre, constituting, in this sense, a staging architecture. I highlight Gordon Craig's experience in Hamlet for the Moscow Art Theatre in 1912, with his Screens project and Le Corbusier's in symbolizing the human being by the Modulor, the measurement system he created. I still talk about Craig’s and Corbusier’s spaces as spaces in performance, full of symbolic meanings, memorial and historical potentials. Finally, the observation of the possible methods and concepts used by Gordon Craig and Le Corbusier in the planning and production of their spaces, under the perspective that they are potentially didactic and pedagogical for a new perception in the teaching of space in theatre and architecture.Item Larp: jogo e experiência vivida(Universidade Federal de Goiás, 2020-02-28) Santos, Raoni Julian Pablo dos; Christino, Daniel; http://lattes.cnpq.br/1395742383165403; Christino, Daniel; Veloso, Sainy Coelho Borges; Toassa, GiseleThis study brings together authors and interdisciplinary content, to understand the practice of a type of game, Larp, as an immersive activity and from the perspective of cultural performances. The importance of this study is due to the lack of scientific material that creates the connections between Larp's studies and performances. For this, the selection and research of references are based on reviews to understand the relationship of thoughts between authors in a dialectical and historical-cultural way. In this way, the work sought to understand Larp as a recreational and artistic practice to fill the shortage of material. Therefore, a bibliographic review constituted by historical and dialectical materialism. The results obtained from these connections were the perception and concepts about emotional phenomena in performance actions. In the final considerations, the chosen path contributed to a critical relationship of how the theories are beyond instrumentalizing the object. In this way, allowing the study to continue advancing through the historical and cultural contexts observed within future perspectives.