Comunidades no DSpace
Selecione uma comunidade para navegar por suas coleções
- Campus Samambaia, Campus Colemar Natal e Silva, Campus Aparecida de Goiânia.
Submissões Recentes
Item type: Item , A Construção Visual do Sagrado em Trindade (GO): imagens, marcos religiosos e a experiência visual no espaço urbano(Universidade Federal de Goiás, 2026-02-11) Silva, Suzilayne Rodrigues da; Anjos Neto, João Dantas dos; http://lattes.cnpq.br/3875621456557787; Anjos Neto, João Dantas dos; http://lattes.cnpq.br/3875621456557787; Souza, Rildo Bento de; http://lattes.cnpq.br/2134103203642036; Jesus, Samuel José Gilbert de; http://lattes.cnpq.br/3589952430806659; Gomes Filho, Robson Rodrigues; http://lattes.cnpq.br/0607553880634591This dissertation analyzes the ways in which the sacred is visually constructed in the city of Trindade (GO), based on its religious landmarks, devotional images, and urban landscape, considering the period from 2024 to 2025. The study shifts the analytical focus beyond major seasonal events, such as the July pilgrimage, seeking to understand the enduring forms of visuality that organize religious experience in everyday life. It is grounded in the assumption that the sacred does not present itself as an abstract essence, but rather as a socially and culturally constructed experience, mediated by images, practices, apparatuses, and regimes of perception. The research draws on theoretical frameworks from visual culture studies and the anthropology of images, adopting visual ethnography as its central methodological approach. The analysis focuses on four key landmarks: the Stations of the Cross along the Pilgrims’ Highway, the Portal of the Divine Eternal Father, urban sacred imagery, and the Parish Church of the Divine Eternal Father. These elements are understood as visual apparatuses that organize pathways, gestures, affects, and symbolic hierarchies, thereby structuring a politics of the sensible within the urban space. The findings indicate that Trindade is configured as a shrinecity whose territorialization is closely linked to devotion to the Divine Eternal Father, which originated in a lay and popular religious experience in the nineteenth century and later developed under the aegis of institutional Catholicism through the Redemptorist Congregation. With regard to the central symbol, a persistent tension was observed between iconography and devotional reception: although the image represents the Holy Trinity, devotion privileges the Father, revealing a relational and affective logic characteristic of popular Catholicism. The analysis further demonstrates that the sacred is visually constructed through a combination of monumentality, repetition, and proximity, manifesting itself both within the temple and in the street. It is concluded that the visuality of the sacred in Trindade constitutes a historically situated regime in which images, architecture, and bodily practices produce socially meaningful religious experiences, mobilizing affects and structuring ways of seeing, feeling, and inhabiting the urban space.Item type: Item , Testemunho, ação e resistência: da condição de pária à potência das histórias de Hannah Arendt para um feminismo crítico e autocrítico(Universidade Federal de Goiás, 2025-12-12) Felicio, Carmelita Brito de Freitas; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Damião, Carla Milani; http://lattes.cnpq.br/2366404598683251; Wuensch, Ana Miriam; http://lattes.cnpq.br/0042777902208426; Reis, Helena Esser dos; http://lattes.cnpq.br/1045681574037243; Chaves, Rosângela Almeida; http://lattes.cnpq.br/6894209614751022; Almeida, Vanessa Sievers de; http://lattes.cnpq.br/0114320385500004We propose an investigation structured around understanding the pariah condition and the potency of narrative in Hannah Arendt's thought as a key to the development of a feminism that is both critical and self-critical. The study seeks elements related to the “invention” of the pariah in the historical context of the Age of Enlightenment and in colonial discourse, but focuses on how Hannah Arendt re-signified this figure, adopting the stance of a “conscious pariah” and recovering the forgotten tradition of the “rebel pariah” as a human type of “supreme importance for the evaluation of humanity in our days”. The investigation also dedicates itself to examining the Arendtian refusal of a “History with a capital H” in favor of the narrative of “real stories”, seen as a way to reveal the political agent's “who” and to redeem the memory of singular and defeated lives. Finally, the thesis applies the Arendtian categories of testimony, action, and resistance to re-evaluate the emergence and institutionalization of the feminist struggle in Goiás, culminating in final considerations on the need for a feminism that incorporates the critique and self-critique of its own practices.Item type: Item , Entre cartas e cinzas da ditadura: narrativas, interesses de classe e gamearte a favor da memória(Universidade Federal de Goiás, 2026-10-03) Rodrigues, Antônio Carlos Dellatore; Oliveira, Flávio Gomes de; http://lattes.cnpq.br/6251395246014220; Oliveira, Flávio Gomes de; http://lattes.cnpq.br/6251395246014220; Rocha, Cláudio Aleixo; http://lattes.cnpq.br/5910780325616157; Bruno, Maria Cristina Oliveira; http://lattes.cnpq.br/4517763344714967; Ribeiro, Raquel de Paula; http://lattes.cnpq.br/0603004450940139cThe process of delving into Brazilian history can be understood in many ways. In this experimentation, I have developed, through Gameart, ways of getting closer to the past close to the Brazilian people, in this case, the military-corporate dictatorship that began with the 1964 coup d’état. Representing such an event in a playful way is only possible through a confluence of experiences and methodologies drawn from my career in graphic design; readings obtained in the study of Art and Visual Culture, which conceptually feed the way of representing the other; and above all, artistic experiences in the elaboration of playfulness in Games, resulting in the language chosen for this dissertation. The events narrated in the reading of the work blend from the outset, through a separation between what is author, what is fantasy and what is academic research in a gentle way, leading the reader through a conversation about the past, present and future of a class.Item type: Item , Labirinto de tempos perdidos: experimentações estéticas e interpretações históricas no ciclo dramatúrgico Marta, a Árvore e o Relógio, de Jorge Andrade (1951-1969)(Universidade Federal de Goiás, 2025-12-10) Araújo, Sandra Rodart; Abdala Júnior, Roberto; http://lattes.cnpq.br/7014946989727038; Abdala Júnior, Roberto; http://lattes.cnpq.br/7014946989727038; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Silva, Ademir Luiz da; http://lattes.cnpq.br/7707506683519747; Reinato, Eduardo José; http://lattes.cnpq.br/9142540932437553; Oliveira, Eliézer Cardoso de; http://lattes.cnpq.br/4351929916837359This dissertation investigates the work of the playwright Jorge Andrade (1922–1984), with an emphasis on the analysis of the cycle Marta, the Tree and the Clock, a dramaturgical set composed of ten plays written between 1951 and 1969. This cycle constitutes the central focus of the research, which seeks to understand how Andrade weaves together, within it, the historical, theoretical, and aesthetic questions that profoundly shaped his production. Drawing on a close examination of the plays, the dissertation analyzes the historical influences that permeate the cycle—especially the formation of São Paulo shaped by agrarian conflicts, the tensions between tradition and modernity, and the crisis of the coffee-growing elites. It also investigates the stylistic choices and narrative strategies employed by the playwright, with particular attention to the ways in which he articulates past, present, and future.Item type: Item , Amora, Amores E Eros: O Lesboerotismo Em Contos De Polesso(Universidade Federal de Goiás, 2026-03-09) Moraes, Izabelly Tavares De; Vieira Júnior, Paulo Antônio; http://lattes.cnpq.br/8490405451576541; Vieira Junior, Paulo Antonio; Marques, Moama Lorena De Lacerda; Ferreira, Yvonelio NeryThis dissertation analyzes the presence of lesbian eroticism in the short stories of Amora (2021) by Natalia Borges Polesso, a Rio Grande do Sul author, investigating how the lesbian experience between the characters is constructed through desire and self-awareness. Drawing on references from feminist and lesbian-feminist literary criticism, the study observes how eroticism is articulated with the daily lives and affections of the characters. Since the characters are exclusively lesbian, this work uses the term "lesboeroticism" to refer to the erotic experience between them. The short stories chosen for analysis were "Flor, flores, ferro retorcido" and "Os demônios de Renfield," which are the stories in the second and third chapters of this dissertation. The first chapter addresses the presence of lesboeroticism in the collection, drawing on passages from various stories to discuss recurring themes throughout the work. In the analyzed stories, lesboeroticism emerges in various erotic forms, being associated with silences, discoveries, and desire. The theoretical framework is guided by authors such as hooks (2024), Rich (2010), and Lorde (2019) to discuss the relationship between women from a feminist perspective. To discuss eroticism, authors such as Lorde (2019), Carson (2022), Bataille (1987), Han (2017), and Paz (1994) are essential to the work. It is concluded, through Polesso's work, that lesboeroticism shifts the understanding of the erotic from always being linked to sex and considers it an experience lived by lesbian characters in different areas of their lives, including affection and care, even between women of different ages or from the same family. Polesso's characters are all permeated by the realm of Eros. In that sense, they demonstrate the importance of experiencing the erotic.