Doutorado em Performances Culturais (FCS)
URI Permanente para esta coleção
Navegar
Navegando Doutorado em Performances Culturais (FCS) por Por Orientador "Silva, Renata de Lima"
Agora exibindo 1 - 2 de 2
Resultados por página
Opções de Ordenação
Item Corpos em extensão: por uma educação performática, intercultural e sensível(Universidade Federal de Goiás, 2022-02-17) Fratti, Rodrigo Graboski; Falcão, José Luiz Cirqueira; http://lattes.cnpq.br/4321211789462639; Silva, Renata de Lima; http://lattes.cnpq.br/9684039080990993; Silva, Renata de Lima; Hartmann, Luciana; Barcelos, Tania Maia; Fleuri, Reinaldo Matias; Lima, Marlini Dorneles deThe objective of this thesis was to formulate, having the pedagogical practice as a background, an academic reflection on Performance, Intercultural/Decolonial and Sensitive Education in the field of University Extension and Culture. For that, we developed an analysis of the formative experiences in a University Extension and Culture Program: the Grupo CorpoEncena of UFCAT as a starting point; then, we elaborate a conceptual and categorical reflection of the postulates of Cultural Performances and their mediations with Education, of Interculturality/Decoloniality and their mediations with Education, as well as of Sensitive Education as a contribution to formative processes within the University. We ended the writing by producing a proposal for a University Extension and Culture Project that dialogues with the framework proposed in the thesis, as well as with the knowledge and practices of an African matrix and their interrelationships with the training of people with disabilities.Item Ecossonâncias: o protagonismo da mulher no tambor de crioula(Universidade Federal de Goiás, 2020-12-01) Monteles, Nayara Joyse Silva; Abreu , Carla Luzia de; http://lattes.cnpq.br/1430560976125427; Silva, Renata de Lima; http://lattes.cnpq.br/9684039080990993; Silva, Renata de Lima; Santinho, Gabriela Di Donato Salvador; Guimarães, Leda Maria de Barros; Ribeiro, Tania Cristina Costa; Hartmann, LucianaIn this study, systematized as a thesis, the objective was to discuss about creole drum and the performance of the coreira on circle dances associated with St. Benedict, the Moor, that take place in the cities of São Luís and Alcântara in the state of Maranhão, Brazil. The field research was carried out in the period from 2017 to 2019 in the mentioned cities. It was observed that the creole drum is a cultural performance, considered as Intangible Cultural Heritage of Humanity since 2007 by the National Historical and Artistic Heritage Institute - (IPHAN). The focus is on the drums of promise, linked to the religiosity of black Catholicism and performed as a way of thankfulness and devotion, above all, to St. Benedict, the Moor. The discussions proposed in this material involve the notions of Creole drum, memory, orality, oral narrative, popular culture, popular Catholicism and the centrality of women in the creole drum. As a methodological approach, the basis used was the oral narrative for trying to understand the drum and the performance of the coreira from the perspective of women / coreiras and the poetnography which is used as a gateway to the creative process that is derived from the junction of the field research and the researcher’s life story. From the immersion in the field, by means of Poetnography, the visual productions called visual ecossonances are derived.