Doutorado em Performances Culturais (FCS)
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Navegando Doutorado em Performances Culturais (FCS) por Por Orientador "Tamaso, Izabela Maria"
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Item Performances afro-brasileiras na cidade de Goiás (GO): diálogos patrimoniais(Universidade Federal de Goiás, 2021-04-15) Macedo, Eliene Nunes; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Tamaso, Izabela Maria; Pires, Ema Cláudia Ribeiro; Osório, Patrícia Silva; Silva, Renata de Lima; Corrêa Júnior, Sebastião RiosThe present thesis seeks to explain black performances in some Afro-Brazilian groups from Cidade de Goiás (GO) and how they relate to the world heritage title given to the city by UNESCO and IPHAN. In such sense, the research followed the Congo, Afoxé, Avó Delê and Bloco Pilão de Prata groups to understand, in a dialogical perspective, the identity relations and their mirrors, as well as the embodiment and experiences of ethnic racial relations in heritage performance practices taking into consideration the way cultural policies are developed both worldwide and nationally with local specifications. Goiás was considered a UNESCO World Heritage in 2001 thanks to the preservation of its historical, architectonic and urbanistic values, which witnessed the occupations and colonization that happened in the 18th Century. Paradoxically, at the beginning of the 20th Century, other cultural practices start to emerge and build connections with the descolonialism context besides instigating discussions about ethnic racial relations. Such scientific investigation is justified by the need of understanding the ethnic racial identity relations that exist in post-modernity and thereby it attempts to reflect upon the multiple processes of identification and manifestations of expression that run through the aforementioned subjects. In addition to these discussions illuminating reflections on ethnic-racial relations, it underlines the emerging need for Brazilian society to critically reflect and act in the fight against racism. The analysis presented has a field research done between 2016 and 2020 as a reference in which ethnographic methods were used and whose goal is to interpret Afro-Brazilian performances in the town of Goiás and their heritage dialogues. It is possible to observe that the historical center heritage speech, which had a unique identity, starts to get fissured and displaced. As far as it is concerned, the groups Congo, Bloco do Pilão de Prata and Afoxé Avó Delê attribute new outlines to the local cultural practices and highlight the agency of symbolic content in Afro-Brazilian manifestations, which therefore result in a complex process of descolonialism as an outcome of their performances and educational actions.Item A performatividade das quadrilhas juninas: reminiscências da tradição e a espetacularização da dança(Universidade Federal de Goiás, 2020-06-24) Zaratim, Samuel Ribeiro; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Tamaso, Izabela Maria; Gonçalves, Renata de Sá; Corrêa Junior, Sebastião Rios; Osório, Patrícia Silva; Bonetti, Maria Cristina de FreitasThis research discusses about quadrilhas juninas/folk june dances, in the concept of performativity, characterized by the Ação Junina in dance on stage from the introduction of the stereotyped figure of the matuto, to the quadrilhas juninas for competition full of new meanings; known as modern or stylized. The analysis dedicated to this work focused on the quadrilheiros experiences as well as on the different appropriations of the notion of Fazer Junino by the groups of quadrilhas juninas, in order to analyze their performance elaborations under the support of the theory of cultural performances. It is important to note that the terms performance characteristics and performativities, are understood in this study, as elements that constitutes the performances of Cultura Junina. In this context, this research presents the multiple factors tha compound the quadrilhas juninas modernas, among them the process of spectacularization of dance and the festivals, including their continuous processes of updating and reframing. In this work, I consider qudrilhas juninas as a product of the cultural industry that presents diversity in the elaboration of cultural goods in their performances, which, in a certain way, are aligned with the social contradictions of their localities. Simultaneously, the quadrilhas juninas as a social group transcends the festive and cultural dimensions, reaching professional ties and organizational actions that seek technical improvement, which stimulates the competitive attitude and encourages a spectacular perspective. The práticas juninas tell their stories, as they demonstrate their balances and imbalances in Fazer Junino, established by innovation, by the phenomenon of spectacularization and by the ideological clashes over culture in the face of media appeals attributed to the cultural market.