Navegando por Assunto "art"
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Item Caminhos cruzados artistas entre viagens, olhares e tempos: arte e ciência na expedição Langsdorff: séculos XIX e XX(Universidade Federal de Goiás, 2007-02-14) AMBRIZZI, Miguel Luiz; MONTEIRO, Rosana Horio; http://lattes.cnpq.br/9262982142956906The research CAMINHOS CRUZADOS. ARTISTAS ENTRE VIAGENS, OLHARES E TEMPOS: ARTE E CIÊNCIA NA EXPEDIÇÃO LANGSDORFF - SÉCULOS XIX E XX results from the study of a curatorial project in contemporary art ( O Brasil de hoje no espelho do século XIX Artistas alemães e brasileiros refazem a expedição Langsdorff , 1995, Dieter Strauss e Alfons Hug). This work, with a bibliographical study in Art History, History and Sociology of the Travel presents visualities readers of artworks produced by the artists of 19th and 20th centuries. The explorers / traveling artists like Rugendas, Taunay and Florence, in a context of The Langsdorff Expedition (1822-1829), and the contemporary artists Carlos Vergara, José Fujocka, Olaf Nicolai and Anatoli Juravlev, all they, development the relationship between Art and Science. The Langsdorff Expedition (1822-1829) between two ways of look, the landscape and the naturalistic view, including the representational notion of the Nature, produces a pattern of iconographic representation (scientific and documental). For this study, the travelers story in a scientific mission (Rugendas, Taunay, Florence) and their relationships with the historical and natural environmental includes and meets biographical elements and iconographic analysis and stylistic, technical and formal analysis. The representational and conceptual changes between 19th and 20th centuries are the background for the analyses artists works. This works are described and analyzed, in the project context, including the expedition and the artistic trajectory and production. In our time, Brazilians (José Fujocka and Carlos Vergara) and foreigns artists (Michael Fahres, Olaf Nicolai, Anatoli Juravlev) restores for the present The Langsdorff Expedition with multiples points of view, representations and languages with a intention to propose questions and problems to our own world. Key-words: Art History, travelers artists, Art and Science, Langsdorff Expedition.Item A matriz de gravura como elemento de moda(Universidade Federal de Goiás, 2007-04-11) GOMES, Lavínnia Seabra; CLÍMACO, José César Teatini; http://lattes.cnpq.br/4105136553667901This dissertation developed on the line of studies in Contemporaneous Processes of Visual Image Prodution, of the Masters in Visual Culture of Visual Arts University, from UFG (Federal University of Goiás) resulted in plastic productions, were fashion and tecnics of figure, blend toghether forms, materials and images. The objective of this work, was concetrated on the matrixies creation, that didin t fall into the ordinary tradictional element, and could be applied to the clothing element, without loosing its main features or the question of the multi. The couttion linking some objects the concepts of protection, decency or tradictionally ornament related to fashion. The important factor in this research is highlight the possibillity of conceiving the figure impression in another type of support, in our case, 3 dimensional (clothes), and conceive those images trough electronic devices, without leavingout the multiplicity principles and impression. All the time we have been searching for another form of visual conception of figure between the mode and all of yours industrials tendences. So many ideas and questionings have come up as webecame more and more familiar with the process, and what is pointed to another series of creative utilization. Following that line of poetic study, owing particularity, what singled each student of art, thoes productions make o out experiences of world in something to be admirable or not, favoring each receptor of plastic produtions, or diferents interpretations what give to then the better understanding.Item Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986)(Universidade Federal de Goiás, 2010-11-10) RIBEIRO, Luciana Gomes; NORONHA, Marcio Pizarro; http://lattes.cnpq.br/2875707762585409This thesis investigated theoretical and methodological possibilities on the field of study of the Arts, in order to build a history of dance in the city of Goiânia. The body in dance was considered as the place in which this history happens, while different and interconnected concepts of the body, art and dance, and their historiographies, support this statement. Understanding the unique configuration of the dance phenomenon and its attention/tension as history, a more critical and conceptual approach was chosen using theories on the field of conceptual history, and history of oblivion, and from that point to invention, uncertainty and unpredictability. This pathway proved to be a key factor on the identification of the dance events being held in Goiânia between the years of 1982 and 1986. Therefore, to better understand these events, the dance history between 1973 and 1988 was investigated. This period of time was marked by the creation of the first institutions for the practice of dance in Goiânia and the outbreak of a new dance scene on the city. It was also a time of great invention and creation on this area in Goiânia, which prompted the city to an exclusive and active dialogue with the dance scenario in Brazil and internationally. The sources and documents studied pointed out interesting occurrences on the dance aesthetics of that time, highlighting its insertions and hierarchies. Some of the people and artwork of that time were prominent and produced other significant developments, very distinct from what was admitted by them, or even expected from them. Local postures and dance movements bearing traces of audacity and singularity were being created at that time, showing that a new kind of dance was emerging. The association made with this whole new dance scene is that of a production beyond Nietzsche, that does not necessarily is a dichotomy or an act of overcoming tradition, but an explosion. Dance on the void, created via its process-operation of existence. Artistic temporality, where history exists.Item Livros didáticos para o ensino de arte: diálogos, práticas e (des)caminhos(Universidade Federal de Goiás, 2009-01-23) SILVA, Gisele Costa Ferreira da; TOURINHO, Irene; http://lattes.cnpq.br/0199098726098947This work presents issues related to the study of textbooks, pointing out its relevance and comprehensiveness. It highlights the conception about the textbook as a cultural artifact that mediates and transforms our relations with the cultural and symbolic world. It also discusses the implications for the quality, quantity, cost and update of the textbook and signalizes elements and dimensions that must guide the research. A review of the textbook history lies the most common approaches of this line of investigation and highlights the trends that have built the object of interest in this study.mmmmmmmmmmmm Based on the assumption that the matter should be handled in a dialoguebased, arguing with a group of students, questions about how text and images are presented, arranged and sequenced by this educational support. Taking as the guiding principles of action-research and visual culture, the study discusses, as well, perceptions, interpretations and reactions of students in front of the selected parts of the textbook.Item Filosofia e política: o sentido da educação e da cultura(Universidade Federal de Goiás, 2007-08-06) SILVA, Lázaro Aparecido; COELHO, Ildeu Moreira; http://lattes.cnpq.br/4116924347437078Culture and educational process, reflections about the education meaning, I ask about the reality. Theoretical issue in Hannah Arendt s thinking and others philosophers which she refers, I examine the vita contemplative and the vita active whit its implications in the culture. So, my conclusion is that the means of education isn t to demonstrate how reality is, but how it would became, affirming the metaphysic s merit.