Navegando por Assunto "cotidiano"
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Item O BARCO DA EDUCAÇÃO : História, Cotidiano e Educação em Santa Rosa do Purus - AC(Universidade Federal de Goiás, 2009-06-22) ARAÚJO, Adelmar Santos de; PESSOA, Jadir de Morais; lattes.cnpq.br/7640102236711284The dissertation "THE EDUCATION BOAT : History, Life and Education in Santa Rosa do Purus is the result of taken near of Research Education Line, Work and Social Movements of the Graduate Program in Education of the FE / UFG. The relationship between history and everyday life of bordering of Alto Purus, was investigated in the research, from the middle of the twentieth century, trying to understand the tension macro-micro/history and how the school education is expressed in the process, particularly from 1992 , year that was established the municipality of Santa Rosa do Purus-AC. The fieldwork was done between January and October 2008 in Santa Rosa of Purus, with semi-structured interviews, inquiring about the school life of children of old and new residents of the municipal district. The main theoretical referencial is based on daily life studies in Agnes Heller, Henri Lefebvre, Fernand Braudel, Sônia Penin and Jadir Pessoa. With this research it cold be perceived that from the creation of Santa Rosa do Purus, the education school expressed the development of the region, although it has not been the main fact, it helped this population create new prospective to the improvement of living conditions in Alto Purus.Item Arte e cotidiano: experiência homossexual, teoria queer e educação(Universidade Federal de Goiás, 2007-04-24) MARQUES FILHO, Adair; SILVA FILHO, Raimundo Martins da; http://lattes.cnpq.br/1270126774554014Inspired by post-modern uneasiness, contemporary culture opens possibilities for individual and collective manifestations that look for demands restrained by the ideals of modernity. Into this scene I bring authors and ideas as a way to create and occupy spaces in a context of control and repression in relation to queer individuals or, more specifically, queer atitudes. Critical, transgressive positionings formulated and experienced by theoreticians and activists in the areas of sexuality, human rights, arts and social and cultural movements raise questions that are yet, taboos in the contemporary scene and which are intensified in the field of art/education. This investigation privileges aspects of the life history of two artists from Goiânia (Goiás Brazil). These histories are examined from a perspective that move across visual culture, queer theory and art/education, discussing topics such as the appropriation of the masculine body in contemporary art; body as a territory of ideological and political struggles; art/education as a form of transformation and intervention in the ways of seeing, feeling and acting; the process of artistic formation and its importance in cultural and visual experience, and, finally, queer theory, supported by feminist and post-estruturalist thinking, as a way to contravene conventions and norms.Item Arte/vida/trabalho e experiência docente: Produção de sentidos de hiphoppers da Vila Pedroso(Universidade Federal de Goiás, 2010-03-22) PEREIRA, Vânia Olária; GUIMARÃES, Leda Maria de Barros; http://lattes.cnpq.br/1491866271915819This research falls within the area of Education and Visuality of the Post-Graduate Visual Culture and discusses the meanings produced by social actors participating in the hip hop movement. The instrumental framework of support for the interpretations is composed of theoretical notions and postmodern research which is inserted in the Field of Cultural Studies. The work field rescues experiments that are carried out, in addition to those undertaken teaching experience before the masters, presented in the classroom reports, interviews and records imagistic. I adopt methodological quality/ reflexive principals for the research. Starting from a baseline of intent and ignorance, I expose the motivation and the origins of this study: I reflect on my teacher training and the Hip Hop Project, held at the Municipal School Madre Francisca in 2005. I follow the trajectory of the members of the Madre Hip Hop group, already outside the school, seeking to contextualize the neighborhood where they live and where the school is located - Village Pedroso, in the eastern region of Goiania. I seek an approach with the culture of the research subjects, discussing its conditions and social situations, political and aesthetic, through testing interpretive summaries. I attempt to identify how the analysts classify and understand their artistic productions, in contrast to some general arguments of the critique of popular art.Item Desapropriando o Currículo: imagem, prática educativa e experiência vivida no movimento anarcopunk(Universidade Federal de Goiás, 2012-04-03) VIANA, Mauricio Remigio; SILVA FILHO, Raimundo Martins da; http://lattes.cnpq.br/1270126774554014Grounded on the principle that learning and knowledge should take into account local practices, actions and meanings of daily life, this research tries to understand how lived experience outside and inside school can imbricate in art educational practices. Emphasizing the role of images as space of dissolution of frontiers between life and school and in accordance with visual culture education referential, the practices which I developed in the classroom are reverberations of experiences lived as militant in the anarcopunk movement by the end of the eighties of the last century. Exploiting gaps which favor non authorized or impure aesthetics productions not legitimated by the curriculum, principles of collectivity and, also, sabotage to authoritarian and hierarchical relations have been used as teaching tactics in order to build bridges between school and daily life. Guided by a qualitative approach, data was produced through a focal group with five girls and five male students attending the seventh grade in the Escola Municipal de Ensino Fundamental Roraima em Macapá AP.