Navegando por Assunto "hibridismo"
Agora exibindo 1 - 2 de 2
Resultados por página
Opções de Ordenação
Item Procedimentos composicionais na música de Edu Lobo de 1960 a 1980(Universidade Federal de Goiás, 2010-03-26) BASTOS, Everson Ribeiro; FERNANDES, Adriana; http://lattes.cnpq.br/4049068003650520This dissertation approaches the music by Eduardo de Góes Lobo, Edu Lobo (1943 -), from 1960 to 1980. The research identifies the characteristics of these works in context, looking at the compositional phases and considering the influences that built his style. Five compositions were selected, transcribed and analyzed taking into account the importance of the work and the final results reached by Edu Lobo as a composer and arranger. The diversity of procedures found in his works unleashed us from the traps of labeling styles and music genres. A theoretical framework was built around the concepts of identity, hybridism and style, related to his musical career and the elements found in the analysis. In addition, interviews with musicians who worked with Edu Lobo provided additional data to the research. The results show the music hybridisms used by Edu Lobo as a tool for the formation of his style and musical identity, or signature, pointing to the recurring and particular compositional elements in the works under scrutiny.Item A trajetória histórica da improvisação no choro: um enfoque de configurações estilísticas e processos de hibridação cultural(Universidade Federal de Goiás, 2012-04-27) MATOS, Everton Luiz Loredo de; CLÍMACO, Magda de Miranda; http://lattes.cnpq.br/3267761359411377The choro, he cultivates an instrumental genre improvisational style, has been transformed in the course of its history, both in melody and harmony. The first cries compounds possessed simple harmonies, making the soloists of the time to interpret differently from today. The different treatments harmonics, which have arisen over time, seem to have been one of the leaders of these different interpretations, which have been shown in an intense and characteristic improvisation. Apparently, there was an increase in these transformations of choro with the rapid development of technology and media from the mid-twentieth century. This circumstance, perhaps, brought a more intense and immediate contact of this musical genre with global genres such as jazz, for example, as a new and intense focus on improvisation, which has drawn attention to formal structures and performing hybrid performances. The intensification of cultivation of Jazz in the country and later the emergence of Bossa Nova in the mid-twentieth century, it seems, interfered markedly in the improvisation of gender, providing new composers to invest in new procedures related to this harmonic American genre. Given this circumstance, this study aimed to investigate the technical and cultural implications resulting from the interference of different harmonics in procedures related to the processes of improvisation and musical genre choro in this context not only seek melodic and harmonic innovations, but also processes of identity implicated in processes of cultural hybridization.