Performances vestíveis – análise cênica dos personagens vivos e a influência do figurino para a construção da personagem
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2024-05-14
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Universidade Federal de Goiás
Resumo
It reflects on the importance of scenic costumes for the creation of living characters,
in addition to addressing the work of these artists as performers. The problem of this
research is linked to the discussion about scenic costumes being a primordial part of
the conception, composition and development of live characters in events. The term
living character was conceptualized as the materialization of the popular imagination
about a certain fictional character, which may have its origins in animes, series, films,
and which is interpreted by a performer who experiences all the experiences of this
fictional character on days where he meets his fans. whether at social or corporate
events. This research aimed to reflect on my character creation process as a
performer in the market and artistic niche of living characters, in addition to analyzing
how the scenic costume can help in the construction of the character, considering
that it often works as a visual trigger for the performer and the audience. This
research focused on the history of fairy tales, the Walt Disney company and how the
phenomenon arrived in Goiânia. Understanding this story, one can understand how
the scenic costume can have the function of creating/being the visual communication
of the living character, thus contributing to a dramaturgy without speech, which helps
the performer to tell his story to those who dedicate their time to appreciate it in
activity – the public. We sought to understand how this process occurs, in all its
layers and routines. Based on fundamental studies such as those by Nelly Novaes,
Mircea Eliade, Richard Schechner and Fausto Viana, it is noteworthy that, for this
research, autoethnography was chosen as the main study method, taking into
account my experiences as an actress, a black woman , costume designer and
researcher. The research was also based on artifacts and has the help of other
artists through interviews.
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SANTOS, F. A. R. Performances vestíveis – análise cênica dos personagens vivos e a influência do figurino para a construção da personagem . 2024. 179 f. Dissertação (Mestrado em Performances Culturais) - Faculdade de Ciências Sociais, Universidade Federal de Goiás, Goiânia, 2024.