Sobre mudar de paisagens, sobre mirar com outros olhos – narrativas a partir de deslocamentos territoriais
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Data
2015-02-24
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Universidade Federal de Goiás
Resumo
Presentando como foco investigativos los desplazamientos territoriales, experimentados como tránsitos y mudanzas de
orden geográfica y subjetiva vividas en el transcursos de esta tesis, mi intención con este estudio es explorar qué ocurre
y cómo los sujetos implicados en este trabajo perciben este movimiento. Motiva por la pregunta “Qué variaciones y giros
son producidos y experimentados a partir de los desplazamientos territoriales?” la presente tesis fue desarrollada en un
formato narrativo a través del cruce de relatos autobiográficos de ocho sujetos nómada, entre los cuales me incluyo. La
construcción de la tesis se realizó por medio de diferentes caminos que producen encuentros: con autores cuyo
pensamiento y escrita transitan por la perspectiva de los Estudios de la Cultura Visual; con literaturas diversas que me
facilitaron pensar y ampliar las nociones sobre el tema problematizado; con imágenes producidas en medio de los
desplazamientos y halladas al azar; de aquellos que despiertan ciertas películas, en un paseo a la deriva, en una visita a
un museo y en las conversaciones con aquellos que colaboraron con la investigación. Metodológicamente, la tesis fue
realizada de acuerdo a los presupuestos de la Investigación Narrativa y de la Investigación Cartográfica. La orientación
teórica y argumentativa del tema fue tramada con bases en las nociones de nomadismo, a través de autores como
Deleuze y Guattari, Rosi Braidotti y Onfray. El concepto deleuzo-guatariano de desterritorialización fue también
incorporado al estudio como una manera de cartografiar los movimientos realizados por los participantes de la
investigación. Adicionalmente, en medio de mis recorridos teóricos propongo algunas reflexiones en torno a los
desplazamientos en diálogo con Rolnik; Preciosa; Lopes; Maffesoli, entre otros. Esta tesis defiende en su escrita la
posibilidad de reinvención potenciada por el acto de dejar un territorio, inicialmente geográfico, pero que aquí fue
entendido como otro tipo de dominio, es decir, dejar aquello que se instaura como seguro y familiar, con el fin de
lanzarse en busca de algo todavía no vivido, que está latente y se configura como territorio de experimentación. En este
sentido, tales movimientos se configuran como tres paisajes que titulo de la siguiente manera: “Callejeo”; “Uno en la
casa, otro”; “Quién dentro de si no sale…Todos ellos tan mutables y movedizos como la condición de estar viviendo un
desplazamiento. A través de estos paisajes presento algunos desarrollos conceptuales que posibilitan, a mi modo de
ver, una comprensión de lo que se desplaza en nosotros cuando nos desplazamos.
By presenting as research focus territorial movements lived as transits and changes of subjective and geographical nature, the effort permeating this PhD dissertation has been in the search for exploring what happens, and how the work subjects experience this moment. Boosted by the question “What changes and twists are produced and experienced through territorial movements?”, this dissertation was developed in a narrative format through the interweaving of autobiographical reports from eight nomadic subjects, among whom I am included. The dissertation construction was made by different paths, which promote encounters: with authors whose thinking and writing transit through the perspective of Visual Cultural Studies; with several literatures which promote thinking and widening the notion on the problematized theme; with images produced within the movements and found lurking around; what is felt in certain movies in a drifting stroll, in a visit to the museum, and in conversations with those who collaborate to the investigation. Methodologically, the dissertation was developed according to the principles of Narrative Inquiry and Cartography. The theoretical and argumentative orientation on the theme is based on the notions of nomadism, by means of authors such as Deleuze and Guattari, Rosi Braidotti and Onfray. The deleuze-guattarian concept of deterritorialization is also incorporated in the work in order to catograph the movements produced by the research participants. Among the theoretical paths some reflections are proposed around the movements/displacements in dialogues with Rolnik; Preciosa; Lopes; Maffesoli, among others. This dissertation defends in its writing the possibility of reinvention potentialized by the act of leaving a territory, initially geographical, but understood here as other types of domain, that is, leaving what presents itself as safe and familiar in order to go after something not lived yet, which is latent and configured as territory of experimentation. In this sense, such movements are configured as three landscapes that I have named: “Callejeo”; “Um em casa, outro”; “Quem de dentro de si não sai...” All of them are changeable and unstable in terms of the condition to be living a displacement. By means of landscapes some unfoldings are presented, which make possible a way of seeing and, to a certain extent, of understanding what changes in us while we move around.
By presenting as research focus territorial movements lived as transits and changes of subjective and geographical nature, the effort permeating this PhD dissertation has been in the search for exploring what happens, and how the work subjects experience this moment. Boosted by the question “What changes and twists are produced and experienced through territorial movements?”, this dissertation was developed in a narrative format through the interweaving of autobiographical reports from eight nomadic subjects, among whom I am included. The dissertation construction was made by different paths, which promote encounters: with authors whose thinking and writing transit through the perspective of Visual Cultural Studies; with several literatures which promote thinking and widening the notion on the problematized theme; with images produced within the movements and found lurking around; what is felt in certain movies in a drifting stroll, in a visit to the museum, and in conversations with those who collaborate to the investigation. Methodologically, the dissertation was developed according to the principles of Narrative Inquiry and Cartography. The theoretical and argumentative orientation on the theme is based on the notions of nomadism, by means of authors such as Deleuze and Guattari, Rosi Braidotti and Onfray. The deleuze-guattarian concept of deterritorialization is also incorporated in the work in order to catograph the movements produced by the research participants. Among the theoretical paths some reflections are proposed around the movements/displacements in dialogues with Rolnik; Preciosa; Lopes; Maffesoli, among others. This dissertation defends in its writing the possibility of reinvention potentialized by the act of leaving a territory, initially geographical, but understood here as other types of domain, that is, leaving what presents itself as safe and familiar in order to go after something not lived yet, which is latent and configured as territory of experimentation. In this sense, such movements are configured as three landscapes that I have named: “Callejeo”; “Um em casa, outro”; “Quem de dentro de si não sai...” All of them are changeable and unstable in terms of the condition to be living a displacement. By means of landscapes some unfoldings are presented, which make possible a way of seeing and, to a certain extent, of understanding what changes in us while we move around.
Descrição
Palavras-chave
Deslocamentos , Deslocamentos territoriais , Desterritorializaçao , Cultura visual , Investigação narrativa , Cartografia , desplazamientos , Desplazamientos territoriales , Desterritorializacion , Cultura visual , Investigacion narrativa , Cartografía , Displacements , Territorial movements , Deterritorialization , Visual culture , Narrative inquiry , Cartography
Citação
ROSA, A. N. Sobre mudar de paisagens, sobre mirar com outros olhos – narrativas a partir de deslocamentos territoriais. 2015. 284 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.