A performance das obras para percussão solo de Yoshihisa Taira: um olhar comparativo

Abstract

In Part A of this master's research are presented the programs, program notes and files on DVD of the concerts presented to PPG Music UFG as a partial requirement for obtaining a Master's degree in Music by Lorena Brabo Pacheco, under the guidance of Prof. Dr. Fabio Fonseca de Oliveira. In sequence, they are being provided three QR codes on the performances of the surveyed works. In Part B of this master's research is a performative comparative study of the three works for solo percussion by Yoshihisa Taira, among them Convergence I (1975), Monodrame I (1984) and Monodrame IV (2002), respectively, for marimba, multiple percussion and vibraphone. The research started from parameters and/or indicators found by the composer himself, the processes of preparation and execution of works, which will help the discussion of possible interpretative choices of the performances of these solos under the vision of a performer percussionist. The study presents an outline of some influences about personal and compositional experienced by Yoshihisa Taira, their works in the percussive universe until the clipping of works for solo percussion. In sequence, the performative comparative study presented similarities and/or peculiarities of musical notation, a discussion about the perspective of time, some features and concepts of oriental culture identified the comparative process, technical, interpretive and expressive. Finally, follow a conclusive topic, identifying the most relevant notes to the preparation and execution process of the work, discussing their symbolic implications and above all, performative.