Transcorporeidade e saber: narrativas performativas e indisciplinares por uma descolonização epistêmica
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2020-10-28
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Universidade Federal de Goiás
Resumo
This Thesis aims to propose the concept of transcorporeity,
from the perspective of the body
wisdom and proposes to rethink the question of the construction and elaboration of
knowledge,
still governed by a colonial heritage - from an Eurocentric epistemic perspective - which
includes the belief in the traditional method of modern science as a hegemonic paradigm. The
investigation in the territory of the sensitive and creative body arts, having as reference the
methodological proposal of the Performative Research, proposed to develop an investigative
corporeality and its own methodology born from the field experience and an indisciplinary
performance, which came to be designed as a intuitive-creative methodology. The initial steps
of the research pointed to both the need for the decolonization of thought and the corporeity
of
the researcher herself, as well as the theoretical alignment with the epistemic decolonization
movements. In this path, a strong intertwining of epistemic references from the global south
was built, more specifically of traditional epistemologies of the peoples originating in Brazil
and of African-Latinamerican origin, among others, interweaving an inclusive transepistemic
perspective, of knowledge coexistence. The germination of the notion of transcorporeity, and
the perception of several dimensions of its manifestation, became a medullary axis and an
integrating element of the constellations of concepts, knowledge and experiences with which
the thesis is involved and takes shape.
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MACIEL, C. P. Transcorporeidade e saber: narrativas performativas e indisciplinares por uma descolonização epistêmica. 2020. 340 f. Tese (Doutorado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020.